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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MOZART, Smithsonian Chamber Orchestra
Orchestral and chamber works
ZamknijGaleria okładek
- Smithsonian Chamber Orchestra - orchestra
- MOZART
299.00 PLN
6 LP-140G:
Nr kat.: N031Label : Smithsonian Institution
na instrumentach z epoki!
The rubric “Smithsonian” has become known as a tacit guarantee of authenticity regarding effort, in the case of research, and conclusion when the results are published. Nonetheless, this enterprising project should not be viewed primarily as a scholastic exercise. The musical instruments largely belong to the Smithsonian’s valuable collection of antiques and authenticated facsimiles. Of greater importance, they have been entrusted to gifted musicians who are eminently qualified to apply specialist knowledge of the techniques and artistry prevalent in the eighteenth century. We are, therefore, privileged to hear Mozart’s music played in as close a manner as possible to that which the maestro heard and performed himself. And the 64-page accompanying booklet is most informatively researched and written by Smithson Quartet cellist Kenneth Slowik. Stereophile Magazine, January 1988