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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Mary Terey-Smith, Capelia Savaria
Syrens, Enchanters and Fairies
- Capelia Savaria - orchestra
- Mary Terey-Smith - conductor
59.00 PLN
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Nr kat.: DOR93251Label : DORIAN (USA)
18th Century Overtures from the London Stage
A 'Rage for Music' in London On 24 February 1763, a riot broke out in the Covent Garden Theatre during a performance of Thomas Arne's Artaxerxes, protesting the management's refusal to give half-price admission after the third act. The damage done to the interior of the theatre was significant, and an account in the Historical Chronicle records "the rashness of the rioters was so great, that they cut away the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads." Indeed, the theatre could not reopen for business until 2 March. What might seem an isolated act of vandalism was, in fact, symptomatic of strongly-held audience views about the role that musical entertainments played in their lives. ? - Paul F. Rice