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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Martin Taylor
Don't Fret
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79.00 PLN
CD:
Nr kat.: BKD014Label : Linn Records
This is yet another impressive studio date from the 1990s that guitarist Martin Taylor recorded for the Scottish label Linn. Joined by pianist David Newton, bassist Dave Green, and drummer Allan Ganley, Taylor concentrates on a fair number of standards. They include a brisk pianoless workout of Cole Porter's "I Love You," an elegant interpretation of the ballad "Moonlight in Vermont," and a breathtaking unaccompanied arrangement of "I'm Old Fashioned." Jazz classics include a spacious treatment of the modal work "Blue in Green" (which is judiciously credited to both Bill Evans and Miles Davis, each of whom claimed to have individually composed it) and a brilliant workout of Oscar Pettiford's bop gem "Laverne Walk," which has some fine playing by each member of his rhythm section, too. Newton also sits out Taylor's one original, a brisk tasty blues called "Don't Fret." The only disappointment is guitarist John Carlini's "Mugavero," an enjoyable piece that suffers from Newton's addition of synthesizer to the mix, which might have been wiser to omit. This CD is easily recommended to fans of Martin Taylor, as are all of his CDs for Linn. -- Ken Dryden (AMG)