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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Mark Feldman, Sylvie Courvoisier
Music for Violin and Piano
- Mark Feldman - violin
- Sylvie Courvoisier - piano
By AAJ STAFF July 1, 1999 Sign in to view read count Mark Feldman and Sylvie Courvoisier: Music for Piano and Violin One of the more promiscuous violinists on the scene today, Mark Feldman has always strived to combine the unusual with the familiar. He's come a long way from his roots as a Nashville studio musician, recording with country giants such as Willie Nelson and Johnny Cash, to his more recent forays on the New York avant-improv scene with neo-giants like John Zorn and Tim Berne. Feldman's new record, Music for Piano and Violin, represents a logical progression from his 1995 Tzadik solo release Music for Violin Alone, though it's unfortunate he didn't find more clever names for these records. On the new Avant release, pianist Sylvie Courvoisier joins Feldman in a series of refined duets. Performed with an attitude of sophistication, these composition-heavy duets betray influences from (and occasionally use direct references to) the European classical tradition, particularly French impressionism. Feldman's playing, crystalline but fluid, evokes an intimate chamber music aesthetic. Courvoisier covers the range from lush chordal progressions to punchy clusters to light prepared-piano tinkles, constantly evolving a florid sense of drama. While the balance of improvisation and c
