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Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

Audiophile Classic - Extended HD2

KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia

Extended High Definition Mastering 2

DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World

Extended High Definition Mastering 2

Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue

Extended High Definition Mastering 2

GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes

Extended High Definition Mastering 2

Henry Mancini and his Orchestra
Pink Panther / Peter Gunn

Extended High Definition Mastering 2

Chet Atkins
In Hollywood - The most popular guitar

Extended High Definition Mastering 2

RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade

Extended High Definition Mastering 2

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

MAHLER, Emmy Loose, Paul Kletzki, Philharmonia Orchestra

Symphony No.4 In G Major

Utwory
Wykonawcy
Twórcy

Side One MAHLER: Symphony No.4 In G Major 1. First Movement: Bedächtig, Nicht Eilen 2. Second Movement: In Gemächlicher Bewegung Side Two MAHLER: Symphony No.4 In G Major (cont.) 1. Third Movement: Ruhevoll 2. Fourth Movement: Sehr Behaglich* *Emmy Loose (soprano) Philharmonia Orchestra Paul Kletzki Recorded April and July 1957, Kingsway Hall, London Producer: Victor Olof, Engineer: Douglas Larter Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional 'advance' playback head, making the cut a totally analogue process.

Emmy Loose - soprano
Paul Kletzki - conductor
Philharmonia Orchestra - orchestra

MAHLER

169.00 PLN

LP-180G 33rpm:

Nr kat.: HIQLP056
Label : Hi-Q Records

"...in feeling and momentary presence, Kletzki is hard to excel" Gramophone Jul 58 Paul Kletzki (1900-1973) was a Polish conductor and composer. He first joined the Lodz Philharmonic Orchestra at the age of fifteen and after serving in the First World War, studied philosophy at the University of Warsaw. During the 1920s, his compositions were championed by Toscanini and Furtwängler, who invited Kletzki to conduct the Berlin Philharmonic Orchestra in 1925. In the second half of the twentieth century, Kletzki was a renowned conductor, especially of Mahler. In 1954, he was appointed chief conductor of the Liverpool Philharmonic Orchestra. Between 1958 and 1961, he was principal conductor of the Dallas Symphony Orchestra and from 1966 to 1970, he was the General Music Director of the Orchestre de la Suisse Romande. He made many recordings for EMI with the Philharmonia Orchestra during the 1950s and 1960s. In the review of the mono LP in The Gramophone of July 1958, W.M. confirmed that - "Kletzki has the best soprano of all. Emmy Loose treats the song tenderly, most musically, and with exactly the right kind of voice...The sound of the recording is good and rangy..."