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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Los Camalotes
El Viaje
99.00 PLN
CD:
Nr kat.: M083ALabel : MaRecordings
While Argentina is most famous (perhaps infamous?) for Tango, various other forms of folk, pop and of course rock music (Rock Nacional) have developed and morphed over the years. Even though Argentine jazz is nowhere near as well known as Tango, at least since the early 1960s, there has been ongoing activity among creative and improvising jazz musicians, most of them in Buenos Aires. A recent entry to that scene is the jazz trio Camalotes, lead by keyboardist Lucas Nikotian (he also plays with Puente Celeste`s “Nama” M084A) along with bassist Fabian Martin and drummer Tomas Babjaczuk. While all three members of Camalotes are city people, their music is somewhat subdued and similar to the sophisticated European feel of ECM with the added mystery and profound beauty of the Argentine countryside. Seven tracks on the record are by Lucas Nikotian, while the remaining 3 are by bassist Fabian Martin. Camalotes` album was recorded in the hall at Instituto Goethe Buenos Aires which has very little in the way of a deep, natural acoustic. While the sound of the room is almost “dead”, at the same time, the recording is “alive” with an intimacy and immediacy rarely heard on today`s recordings. (Todd Garfinkle, MA Recordgins)"