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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

LINLEY, The Parley of Instruments, Peter Holman

The Song of Moses and Let God arise

Utwory
Wykonawcy
Twórcy

The Song of Moses
1 No 01. Chorus: Praise be to God, and God alone [4:28]
Andrew Peter King (tenor), Andrew Dale Forbes (bass), Holst Singers
2 No 02. Duet: Jehovah ever be my song [4:28]
Julia Gooding (soprano), Sophie Daneman (soprano)
3 No 03. Accompanied recitative: No force can stand [0:22]
Sophie Daneman (soprano)
4 No 04. Air – Chorus: O Israel turn – The wave hath closed [6:39]
Sophie Daneman (soprano), Holst Singers
5 No 05. Air: Thy arm, O Lord of Hosts [3:20]
Julia Gooding (soprano)
6 No 06. Recitative: Lo, the waves thy breath obey [0:35]
Sophie Daneman (soprano)
7 No 07. Chorus: The sea is before them [3:17]
Holst Singers
8 No 08. Accompanied recitative: Thus the foe with haughty pride [1:36]
Sophie Daneman (soprano)
9 No 09. Air: 'Mong the Gods by men adored [2:44]
Andrew Dale Forbes (bass)
10 No 10. Accompanied recitative: Thou stretchest out thy hand [1:21]
Julia Gooding (soprano)
11 No 11. Air: Thou, as thy mercy had decreed [3:28]
Julia Gooding (soprano)
12 No 12. Recitative: Thither, what power [0:29]
Sophie Daneman (soprano)
13 No 13. Chorus: All Canaan's heathen race [3:01]
Holst Singers
14 No 14. Duet: Thither thy people, Lord [5:08]
Julia Gooding (soprano), Sophie Daneman (soprano)
15 No 15. Chorus: To ages shalt thou stretch thy sway [2:59]
Holst Singers
Let God arise
16 No 1. Overture: [Andante] – Allegro [3:28]
17 No 2. Chorus: Let God arise [2:38]
Holst Singers
18 No 3. Air: But let the righteous be glad [2:47]
Andrew Peter King (tenor)
19 No 4. Chorus: O sing unto God [1:42]
Holst Singers
20 No 5. Chorus: Magnify him [2:49]
Robin Blaze (countertenor), Andrew Peter King (tenor), Holst Singers
21 No 6. Duet: He is a father [3:10]
Julia Gooding (soprano), Sophie Daneman (soprano)
22 No 7. Air: Give thanks, O Israel [1:57]
Andrew Dale Forbes (bass)
23 No 8. Chorus: Wonderful art thou [3:32]

The Parley of Instruments - orchestra
Peter Holman - conductor

LINLEY

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GRAMOPHONE CRITICS' CHOICE 'Another indispensable release in the English Orpheus series. The adventurous will find their curiosity amply rewarded' (Classic CD) 'One of the best finds yet in Hyperion's English Orpheus series' (Gramophone) 'Linley might well have been an English answer to Mozart, as this fine short oratorio shows' (Daily Mail) ------------------------------- Thomas Linley was born in Bath into a highly musical family. Had he not died tragically young in a boating accident it seems likely that he would have won for himself a far greater name. He travelled widely, was a friend of Mozart (who commented that 'had he lived, he would have been one of the greatest ornaments of the musical world'), and was widely mourned. The Song of Moses was one of his last works. A grand oratorio in Handelian style, it contains a varied range of arias alongside choruses which are at once expertly written and intensely dramatic (something here developed to the full by the Holst Singers). The story is taken from Exodus (Chapter 15) and concentrates on the Israelites' rejoicing after the Red Sea was closed over the pursuing Egyptian forces—much the same as Handel's Israel in Egypt. This recording is the work's first performance since 1778. Let God arise is an earlier work, one of his first surviving compositions of any size, and is a large-scale anthem after the style of Handel or Boyce. Again the choruses have real strength and contrapuntal power, and the arias show a skill rare in one so young.