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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
La Rossignol
O Florens Rosa (La rosa nella musica del rinascimento)
- La Rossignol - orchestra
44.00 PLN
CD:
Nr kat.: CDA0195Label : III Millennio
muzyka z czasów, w których symbol mówił więcej niż słowa...
The rose, as it already was during the Middle Ages, continues to be one of the symbolic images of Renaissance civility. Its different values have persisted for ages: the religious one (the rose symbolizing the Madonna/Mother Mary, image of absolute pureness), the profane one (as a personification of the beloved one) and the esoteric one (symbol of resurrection, immortality, regeneration). This release, recorded live in a fifth century church in Santa Maria in Bressanoro in Castelleone, creates particularly varied and rich atmospheres: the compositions of great authors like Dunstable, Ciconia, Frescobaldi and Monteverdi meet in an aesthetical rather than in a chronological order. They melt together with the very direct, popular versions of devotional praise-songs of Dammonis and, singing and dancing to them, they celebrate the spring awakening of all senses and of passion, as if on a happy trip toward a new sense of harmony, toward the perfection of music, in a period when music still contributes to the great evolution of thought.