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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

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TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

Julianne Baird, Ronn McFarlane

The English Lute Song

Utwory
Wykonawcy

Ron McFarlane Lute; Julianne Baird Soprano - The English Lute Song
[1] This Merry Pleasant Spring / Anon.
[2] Woods, Rocks and Mountains* / Robert Johnson (c. 1583-1633)
[3] April is in My Mistress' Face / Thomas Morley (1557-1602)
[4] No More Shall Meads be Deck'd With Flow'rs / N. Lanier (1588-1666)
[5] Lute Solo:The French King's Masque / Anon.
[6] Come My Celia / Alfonso Ferrabosco (before 1578-1628)
[7] O Death, Rock Me Asleep / Anon.
[8] Where the Bee Sucks / Johnson
[9] Full Fathom Five / Johnson
[10] Come Away, Hecate / Johnson
[11] The Willow Song / Anon.
[12] Lute Solo:Alman, "Hit and Take It" / Johnson
[13] Dear, Do Not Your Fair Beauty Wrong* / J. Wilson (1595-1674)
[14] Come Hither You That Love / Johnson
[15] Have You Seen But a White Lily Grow* / Johnson
[16] I Must Complain / Anon.
[17] Nothing on Earth / Anon.
[18] Fain Would I Wed / Thomas Campion (1567-1620)
[19] Miserere, My Maker / Anon.
[20] O That Mine Eyes / Thomas Brewer (1611-c. 1665)
[21] Lute Solo:Alman / Johnson
[22] Care, Charming Sleep / Johnson
[23] Cupid is Venus' Only Joy / Anon.
[24] O Let Us Howl* / Johnson
[25] As Life What is so Sweet / William Webb (c.1600-after 1656)
[26] Turn, Turn Thy Beauteous Face Away! / Wilson
[27] Take, O Take Those Lips Away / Wilson
* = Lute realization from an unfigured bass by Lucy Cross

Julianne Baird - soprano
Ronn McFarlane - lute

59.00 PLN

CD:

Nr kat.: DOR90109
Label : DORIAN (USA)

The lute songs of earlier Elizabethan times, such as those by Campion, Dowland and Morley are distinguished by directness, relative simplicity of vocal line, and musical fidelity to the rhythm of the text. Furthermore, throughout the Renaissance and early Baroque, in England as in no other country, song was shaped by the firm authority of poets, who took a dim view of the singer who might "hide the light of sense with divisions." - Julianne Baird