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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Julianne Baird, Ronn McFarlane
The English Lute Song
- Ron McFarlane Lute; Julianne Baird Soprano - The English Lute Song
- [1] This Merry Pleasant Spring / Anon.
- [2] Woods, Rocks and Mountains* / Robert Johnson (c. 1583-1633)
- [3] April is in My Mistress' Face / Thomas Morley (1557-1602)
- [4] No More Shall Meads be Deck'd With Flow'rs / N. Lanier (1588-1666)
- [5] Lute Solo:The French King's Masque / Anon.
- [6] Come My Celia / Alfonso Ferrabosco (before 1578-1628)
- [7] O Death, Rock Me Asleep / Anon.
- [8] Where the Bee Sucks / Johnson
- [9] Full Fathom Five / Johnson
- [10] Come Away, Hecate / Johnson
- [11] The Willow Song / Anon.
- [12] Lute Solo:Alman, "Hit and Take It" / Johnson
- [13] Dear, Do Not Your Fair Beauty Wrong* / J. Wilson (1595-1674)
- [14] Come Hither You That Love / Johnson
- [15] Have You Seen But a White Lily Grow* / Johnson
- [16] I Must Complain / Anon.
- [17] Nothing on Earth / Anon.
- [18] Fain Would I Wed / Thomas Campion (1567-1620)
- [19] Miserere, My Maker / Anon.
- [20] O That Mine Eyes / Thomas Brewer (1611-c. 1665)
- [21] Lute Solo:Alman / Johnson
- [22] Care, Charming Sleep / Johnson
- [23] Cupid is Venus' Only Joy / Anon.
- [24] O Let Us Howl* / Johnson
- [25] As Life What is so Sweet / William Webb (c.1600-after 1656)
- [26] Turn, Turn Thy Beauteous Face Away! / Wilson
- [27] Take, O Take Those Lips Away / Wilson
- * = Lute realization from an unfigured bass by Lucy Cross
- Julianne Baird - soprano
- Ronn McFarlane - lute
59.00 PLN
CD:
Nr kat.: DOR90109Label : DORIAN (USA)
The lute songs of earlier Elizabethan times, such as those by Campion, Dowland and Morley are distinguished by directness, relative simplicity of vocal line, and musical fidelity to the rhythm of the text. Furthermore, throughout the Renaissance and early Baroque, in England as in no other country, song was shaped by the firm authority of poets, who took a dim view of the singer who might "hide the light of sense with divisions." - Julianne Baird