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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
John Coltrane, Charlie Byrd, Red Garland, Paul Chambers, Louis Hayes, Albert Heath
Lush Life
- John Coltrane - Lush Life
- 01. Like Someone In Love (5:00)
- 02. I Love You (5:33)
- 03. Trane's Slo Blues (6:04)
- 04. Lush Life (13:57)
- 05. I Hear A Rhapsody (5:58)
- John Coltrane - alto saxophone
- Charlie Byrd - guitar
- Red Garland - piano
- Paul Chambers - double bass
- Louis Hayes - drums
- Albert Heath - drums
139.00 PLN
CD:
Nr kat.: VICJ41512Label : JVC Japan
20bit K2Super Coding - ale jak to brzmi!
The first three tracks on LUSH LIFE (from May and August 1957) were recorded in a trio session with only bass and drums accompanying Trane on tenor. The piano-less format is surprisingly full sounding and Coltrane's solos are at once fun loving and thoughtful. The playing of Earl May (bass) and Art Taylor (drums) is warm and robust and perfectly compliments Coltrane's muscular, R&B-inspired lyricism. Tracks four and five (from January 1958) feature a different rhythm section along with some elegant, delicate piano work from Red Garland. The title track is an unabashedly romantic, film noir-ish tour-de-force that completely enthralls the listener for all of its nearly 14 minutes. In addition, the cut features an astonishingly beautiful trumpet solo from the great Donald Byrd. Recorded in the same period as BLUE TRAIN, one of Coltrane's greatest masterpieces, LUSH LIFE is a perfect (and also, thanks to master engineer/producer Rudy Van Gelder, sonically stunning) example of the master's early playing at it's most sensitive and exuberant.
