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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Jackie McLean, Red Garland, Paul Chambers, Mal Waldron, Arthur Taylor
McLean's Scene
- Jackie McLean - alto saxophone
- Red Garland - piano
- Paul Chambers - double bass
- Mal Waldron - piano
- Arthur Taylor - drums
20bit K2Super Coding - ale jak to brzmi!
Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California). Altoist Jackie McLean tends to downgrade his Prestige recordings due to the low pay, the little prior preparation and the jam session feel of the music. Although all of the above is true, the music (while not on a par with his Blue Notes of the 1960s) is still pretty worthy, particularly when compared to the output of his contemporaries. McLean never really copied Charlie Parker and was one of the first in his generation to develop his own sound. Three of the six selections on this CD reissue (a pair of standards and a blues) feature McLean with trumpeter Bill Hardman, pianist Red Garland, bassist Paul Chambers and drummer Art Taylor. The remainder of the set is from a marathon quartet set with pianist Mal Waldron, bassist Arthur Phipps and drummer Taylor that would result in material that was used as part of five separate albums.
