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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
HINDEMITH, SCHOENBERG, PEPPING, Kevin Bowyer
Organ Works
ZamknijGaleria okładek
- PAUL HINDEMITH (1895 - 1963)
- 1 Sonate I (1937) I Mäßig schnell 6.56
- 2 II Sehr langsam - Phantasie, frei - Ruhig bewegt 10.30
- 3 Sonate II (1937) I Lebhaft 3.57
- 4 II Ruhig bewegt 4.00
- 5 III Fuge Mäßig bewegt, heiter 2.33
- 6 Sonate III über alte Volkslieder (1940) I "Ach Gott, wem soll ich's klagen" Mäßig bewegt 4.32
- 7 II "Wach auf, mein Hort" Sehr langsam 5.08
- 8 III "So wünsch ich ihr" Ruhig bewegt 1.55
- ARNOLD SCHOENBERG (1874 - 1951)
- 9 Variations on a Recitative Op. 40 (1941) 14.26
- 10 Two fragments of a Sonata for Organ (1941) Molto moderato 2.52
- ERNST PEPPING (1901 - 1981)
- 12 Three Fugues on BACH (1943) 1 Allegro sostenuto 7.21
- 13 2 Andante 5.38
- 14 3 Maestoso passionato 7.56
- A Digital Recording. Recorded in Odense Cathedral, Denmark on 17th-19th March, 1993.
- Kevin Bowyer - organ
- HINDEMITH
- SCHOENBERG
- PEPPING
59.00 PLN
CD:
Nr kat.: NI5411Label : Nimbus Records
Though the conservative reputation of organ music is inseparable from the conservatism of its greatest composer, Bach, his protean character that appeals both to reactionaries and radicals has also at times brought the instrument to the forefront of contemporary styles. Hindemith, for example, in the 1920s used the slogan 'back to Bach' as an avant-garde rallying cry, and though no organist himself, wrote a concerto for the instrument in 1927 as part of his experimental Kammermusik series. Ten years later he composed the first two of three organ sonatas. A third appeared in 1940, completing a trilogy of pieces that have become the most popular works of their kind since those of Mendelssohn. Reviews Paul Hindemith’s three organ sonatas are superbly composed and nicely compact. They have with some justification been described as cornerstones of 20th century organ repertoire. -Dominy Clements, www.musicweb-international.com
