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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
HINDEMITH, Bernard Roberts, David Strong
Music for One and Two Pianos
ZamknijGaleria okładek
- Disc One
- 1 Sonata No. 1 (1936) I Ruhig bewegte Viertel 2.13
- 2 II Im Zeitmais eines sehr langsamen Marsches 7.03
- 3 III Lebhaft 6.41
- 4 IV Ruhig beegte Viertel, wie im ersten Teil 2.19
- 5 V Lebhaft - Energisch - Sehr lebhaft 7.55
- 6 Sonata No. 2 (1936) I Maisig schnell 3.05
- 7 II Lebhaft 2.13
- 8 III Sehr langsam - Rondo: Bewegt 7.00
- 9 Sonata No. 3 (1936) I Ruhig bewegt 4.44
- 10 II Sehr lebhaft 2.59
- 11 III Maisig schnell 4.57
- 12 IV Fuge: Lebhaft 5.09
- 13 Sonata for Piano, Four Hands (1938) I Maisig bewegt 5.30
- 14 II Lebhaft 2.39
- 15 III Ruhig bewegt - Sehr lebhaft 6.43
- Disc Two
- 1 Ludus Tonalis (1942) Praeludium 3.29
- 2 Fuga I 2.43
- 3 Interludium 1.34
- 4 Fuga II 1.43
- 5 Interludium 1.04
- 6 Fuga III 2.32
- 7 Interludium 1.32
- 8 Fuga IV 2.48
- 9 Interludium 1.17
- 10 Fuga V 1.26
- 11 Interludium 1.21
- 12 Fuga VI 2.12
- 13 Interludium 2.04
- 14 Fuga VII 2.16
- 15 Interludium 2.09
- 16 Fuga VIII 1.14
- 17 Interludium 1.35
- 18 Fuga IX 2.33
- 19 Interludium 2.04
- 20 Fuga X 2.23
- 21 Interludium 2.22
- 22 Fuga XI 1.55
- 23 Interludium 1.52
- 24 Fuga XII 2.35
- 25 Postludium 3.47
- 26 Sonata for Two Pianos (1942) I Glockenspiel: Maestoso 2.52
- 27 II Allegro 3.58
- 28 III Kanon: Lento 4.56
- 29 IV Recitativ eines altenglischen Gedichtes: A piacere 2.43
- 30 V Fuge: Moderato 4.58
- Recorded in the Concert Hall of the Nimbus Foundation; Sonata No. 2 & Ludus Tonalis on 17th-19th May 1995; Sonata for Piano, Four Hands & Sonata for Two Pianos on 22nd May 1995; Sonatos Nos. 1 & 3 on 17th & 18th July 1995
- Bernard Roberts - piano
- David Strong - piano
- HINDEMITH
79.00 PLN
2 CD:
Nr kat.: NI5459Label : Nimbus Records
"Nicely done performances, exceptional." Guy S. Rickards, Gramophone This generously filled two disc set contains Hindemith's most mature works for one and two pianos. This demanding but rewarding music is still unknown to the majority of music-lovers. Glenn Gould recorded the Piano Sonatas in the 1960s; more recently, the Estonian pianist Kalle Randalu presented them on MDG. The principal rivals in Ludus Tonalis are John McCabe (Hyperion) and Boris Berezovsky (Warner Classics). The three Sonatas were written in quick succession in 1936 and are, as a consequence, stylistically consistent. The First and Third require a virtuoso technique and are written in a grand manner that seems to hark back to both Bach and Beethoven. The Second Sonata is less ambitious, yet perhaps ultimately more persuasive than its weightier brothers. Bernard Roberts offers playing of real power and authority. The imposing second movement of the First Sonata has plenty of gravitas in this performance.