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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
HAYDN, Jian Wang, Muhai Tang, Gulbenkian Orchestra
Cello Concertos Nos. 1 & 2
Jian Wang makes his solo debut on DG with the two known Haydn cello concertos – part of every serious cellist’s repertory. Composed for two cellists, Josef Weigl in the 1760s and Anton Kraft in 1783, these works also represent different aspects of Haydn’s craft: the long lines, singing tunes and lightly worn virtuosity, along with an inimitable mixture of folkishness and courtly gestures. Wang’s recorded interpretations reveal a technically assured and virile player. Like a racehorse, though, his style is nervy and at times skittish. His vibrato is quick, too quick in the slow movements for my taste, and the sustained notes rather too shaped, to the point of sounding wobbly. However, he draws beautiful lines in the high register from his Amati cello – delicate and crisp – though the same instrument often produces rather dry chords and gruff-sounding passage-work on the lower strings. Wang’s intonation is superb, with the exception of the notorious octave scales in the D major Allegro. His cadenza for the C major Moderato proves disappointing, and it’s certainly bland in comparison with Maurice Gendron’s for the D major Allegro Moderato. The Gulbenkian Orchestra under Muhai Tang offers stylish support, although the violins move at a different speed from the lower instruments (which seem to lag behind) in the opening of the C major Adagio. The finale is taken at a gallop and, rather alarmingly, during a solo passage in the D major Adagio, the music practically stops in its tracks. This recording is not for me (Steven Isserlis’s much admired RCA reading is more to my taste), but will doubtless have its admirers.' https://www.gramophone.co.uk/review/haydn-cello-concertos-1-2
