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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
HAYDN, SAINT-SAENS, ELGAR, Mstislav Rostropovich, The London Symphony Orchestra, Gennady Rozhdestvensky
Cello Concerto in C major / Cello Concerto No. 1 in A minor / Cello Concerto in E minor Op.85
- Mstislav Rostropovich - cello
- The London Symphony Orchestra - orchestra
- Gennady Rozhdestvensky - conductor
- HAYDN
- SAINT-SAENS
- ELGAR
159.00 PLN
CD:
Nr kat.: BBCL4198Label : BBC Legends
Rostropovich never recorded the Elgar commercially, and the reason given was invariably that he considered the performances of it by his erstwhile student, Jacqueline du Pré, definitive. In fact she and Barbirolli made that famous LP a month after this concert performance. It’s something of a loss that he never took it into the studio, as he clearly brought an insightful view to it. A couple of his live performances have fortunately survived, and this reading is one of two with conductor Gennadi Rozhdestvensky to have been issued. It’s a technically adroit and in many ways convincing performance - not quicksilver, but a touch more measured and musing. Vibrated intensely in the first movement, the cellist is at his most quixotic, indeed skittish, at points in the finale. The orchestral fabric is more debatable, lacking a measure of grip. There is a degree of tape hiss, as indeed there is on most of these broadcasts, but it’s not worryingly intrusive. For the Schumann he collaborates with Britten and the LSO at the Aldeburgh Festival in a highly recommendable performance which convinces at almost every turn. Maybe he lacks something of the sheer elegance of Fournier in this work, but setting that aside, the work’s wayward rhetoric is securely judged by soloist and conductor. In Haydn’s C major Concerto Rostropovich directs the LSO, which sounds a bit flustered as a result. The cellist plays with gusto and panache, and employs Britten’s cadenzas. Ensemble just about survives at a couple of junctures. Saint-Saëns’ A minor Concerto is played with marvellous technique and rich legato phrasing, though it’s slightly let down by Rozhdestvensky’s inattentive accompaniment.