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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Geoffrey Keezer
Wildcrafted: Live at the Dakota
- Geoffrey Keezer - piano
Geoffrey Keezer: Wildcrafted: Live at The Dakota Geoffrey Keezer has established himself as one of the prime pianists of his day. He is adventurous, but adventure does not take him over the precipice. He plays thoughtfully, even as he gives vent to a rush of notes. Imagination and art work in close cleave. This live recording features Keezer originals, a couple of standards, and songs that have impressed him. That's a nice enough balance, and Keezer's trio brings it to fulfillment. "Stompin' at the Savoy is as good an opener as any to get to the audience. Keezer explores the theme and then gives the tune his own vantage view. He plays with a lustrous stance, his notes flowing in a riptide and then, in the ebb, finding a myriad vivid consonances. He gets some fine support from the rhythm section, in particular the driving volatility of drummer Terreon Gully. Japan casts a spell through "Koikugari Bushi, which has a remarkably gentle air. Keezer infuses transparency into his playing and lays bare the soul of the song. Keezer is a strong composer and all of his songs here reveal his innate skill. When it comes to "Ghost in the Photograph, he underscores swing, which comes in through light flecks, unhurried but nevertheless present. And when he gets to playing the melody and extending it, his tone is nectar-sweet, the underbelly swaying gently, the emotion tucked into every scintillating note. Keezer makes every moment come alive. What more could one want? By JERRY D'SOUZA Published: December 18, 2005 Geoffrey Keezer: piano, Fender Rhodes; Matt Clohesy: bass; Terreon Gully: drums.
