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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
GALUPPI, Ensemble Il Falcone
Concerti A Quattro
ZamknijGaleria okładek
- Ensemble Il Falcone - orchestra
- GALUPPI
59.00 PLN
CD:
Nr kat.: CDS519Label : Dynamic (Italia)
Composed, from what musicologists have been able to ascertain, around 1740, Galuppi’s Concerti a quattro are an organic collection with a uniform style, characterised by fine contrapuntal writing - a heritage of sacred music - and pleasant melodic lines - derived from the operatic tradition. These seven concertos are noteworthy for the wealth of music ideas and originality in their exposition: although dialogues between parts still make use of the imitative practice typical of ”old” contrapuntal writing, we can already envision in them classical stylistic features and symmetries, blended in with wisdom and creativity. In the reading of the excellent Ensemble Il Falcone, conducted by Fabrizio Cipriani, the use of basso continuo underlines, each time, the work’s ”orchestral” or quartet-like character.