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Elsie Houston

Queen of Brazilian Song

CD 1 [79:22] Gramophone Company, Paris 20 June 1928 1. Desejo [Seresta No. 10] (Villa-Lobos) [text] 0:47 2. Na paz do outono [Seresta No. 6] (Villa-Lobos) [text] 1:33 (BT4114-1) P760 3. Realejo [Seresta No. 12] (Villa-Lobos) [text] 0:41 4. Estrela do céu é lua nova (Villa-Lobos) [text] 1:12 (BT4111-1) P760 Brazilian Columbia, Rio de Janeiro early 1930 5. Côco dendê, trapiá (arranged by Houston) [text] 1:16 6. Ai! Sabiá da mata (arranged by Houston) [text] 2:17 (380885-1) 7050-B 7. O barão da Bahia (Maria Amelia Barros) [text] 3:11 (380830-1) 7014-B 8. Cadeé minha pomba rola (arranged by Houston) 3:15 (380832-2) 7014-B Gramophone Company, Paris 26 September 1933 9. Eh! Jurupanan [Côco] (arranged by Houston) 3:05 (OPG 1016-1) K7055 10. Berceuse Africano-Bresilienne (arranged by Houston) 1:01 11. Oia o sapo [Embolada] (arranged by Houston) [text] 2:05 (OPG 1017-1) K7055 Liberty Music Shop, New York 12. Jongo (composer unknown) 2:34 June 1938; (1757) L232 13. Fado (composer unknown) 2:39 June 1938; (1758) L232 14. Toda p’ra você (Fernandez) [text] 2:38 Recording date and matrix unknown; Unpublished test* 15. Xangô (Villa-Lobos) [text] 1:17 Recording date and matrix unknown; Unpublished test* 16. Villancico Andaluz (Joaquin Nin) [text] 1:50 Recording date and matrix unknown; Unpublished test* 17. Villancico Gallego (Nin) [text] 1:16 Recording date and matrix unknown; Unpublished test* 18. Villancico Castellano (Nin) [text] 1:19 Recording date and matrix unknown; Unpublished test* 19. Sur l’herbe (Ravel) [text] 1:58 Recording date and matrix unknown; Unpublished test* 20. Quand je chante cette melodie (Nilvar) 2:10 Recording date and matrix unknown; Unpublished test* 21. Mon ami (Jamblan/Herpin) 3:01 July 1939; (R163-1) L263 22. The cherry tree (S.L.M. Barlow) 2:58 July 1939; (R164-1) L263 RCA Victor, New York 1941 23. Foi numa noite calmosa [No. 5 Modinha Carioca] (arranged by Luciano Gallet) [text] 4:01 17 January 1941; (CS-060345-1) 13667 24. Bahia [Carateristica] (Alvaro Moreira/Hekel Tavares) 1:51 25. Danza de caboclo [Côco] (arranged by Tavares) [text] 0:50 24 January 1941; (CS-060371-1) 13667 26. Bia-ta-tá [Côco] (arranged by Tavares) [text] 1:23 27. Benedicto pretinho (arranged by Tavares) 1:01 24 January 1941; (CS-060372-2) 13668 28. Berimbau, Op. 4 (Manuel Bandeira/Jayme Ovalle) [text] 3:15 24 January 1941; (CS-060373-1) 13668 29. Chariô [Tres potos de Santo, Op. 10, No. 1] (Jayme Ovalle) [text] 1:03 30. Aruanda [Tres potos de Santo, Op. 10, No. 2] (Jayme Ovalle) [text] 1:05 31. Estrella do Mar [Tres potos de Santo, Op. 10, No. 3] (Jayme Ovalle) [text] 1:32 24 January 1941; (CS-060374-1) 13669 32. Tayêras [Song and dance of the Mulatresses from Bahia] (arranged by Gallet) [text] 1:39 33. Bambalelê [Song from Pernambuco] (arranged by Gallet) [text] 1:22 24 January 1941; (CS-060375-1) 13669 34. Canção do carreiro [Seresta No. 8] (Villa-Lobos) [text] 4:21 17 January 1941; (CS-060344-1) 17978 Siete canciones populares Españolas (Traditional, arranged by de Falla) 35. El paño moruno [text] 1:14 36. Seguidilla murciana [text] 1:19 37. Asturiana [text] 2:25 38. Jota [text] 3:20 39. Nana [text] 1:12 40. Canción [text] 0:59 41. Polo [text] 1:29
  • Elsie Houston - soprano
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119.00 PLN

2 CD:

Nr kat.: MAR51011
Label  : Marston (USA)

We are tremendously excited to be issuing the first comprehensive CD of the incomparable Brazilian mezzo-soprano, Elsie Houston. Her vocal production and interpretations defy description. The intensity of her passion coupled with the raw energy of her expression make Elsie Houston impossible to forget once you have heard any one of her records. She is undoubtedly the most individual of any classically trained singer to have recorded. Having studied singing with Lilli Lehmann and Ninon Vallin, Houston took her voice and career in a completely different direction, devoting the rest of her life to the performance of Brazilian music. Her first recording, made in Paris in 1927, contained four songs by Heitor Villa-Lobos with the composer's wife accompanying her at the piano. Also among her first records was a group of Brazilian folk songs that she collected and published. These are sung to the accompaniment of guitar, clarinet, and various indigenous percussion instruments. She made many night club appearances in Paris and later in the U.S. where exoticism of things South American had become the rage.

 

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