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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Duke Ellington, Johnny Hodges
... play the blues - Back to Back
ZamknijGaleria okładek
- Duke Ellington, Johnny Hodges - Back to Back
- 01. Wabash Blues (6:24)
- 02. Basin Street Blues (8:01)
- 03. Beale Street Blues (7:35)
- 04. Weary Blues (6:54)
- 05. St. Louis Blues (5:47)
- 06. Loveless Love (7:09)
- 07. Royal Garden Blues (5:21)
- Duke Ellington - piano
- Johnny Hodges - alto saxophone
189.00 PLN
SACD Hybr:
Nr kat.: CVRJ6055SALabel : Acoustic Sounds
...i jeszcze jeden, i jeszcze raz...!
The Blues! Played again and again. Rediscovered and reinvented again and again. The foundation of all different types and styles of popular music from 1890 to the present day! Although not always recognizable as such, and often labeled Blues although not adhering to the strict form, it has provided the basis for music by such diverse artists as Louis Armstrong, Elvis Presley, the Beatles, and Eric Clapton. It was obvious that the Duke, too, should devote a complete LP to this theme. But instead of inviting his whole orchestra into the studio, he only chose the rhythm group and Johnny Hodges, his star soloist on the tenor saxophone. In addition he asked Harry 'Sweets' Edison, who played muted trumpet in the Count Basie Band, to join them. Did they consult with one another? These musicians don't need that sort of thing! Arrangements? What for? For the Blues? Absolutely unnecessary! It's in our blood! Playing the Blues is outdated? No way! Just listen to our "Royal Garden Blues"! Modern Riffs in every single second! By the way: this latter number is the only true blues - strictly speaking - among these nine titles. And there is something less well known to discover among the numbers recorded at the 1959 session: although he himself described his orchestra as his most important and best instrument, as a pianist the Duke proves to be an excellent accompanist in this small combo. Muzycy: Duke Ellington, piano Johnny Hodges, alto saxophone Harry "Sweets" Edison, trumpet Les Spann, guitar Al Hall, bass Sam Jones, bass Jo Jones, drums
