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Queen Elisabeth Music Competition

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5301652

5301652

CD1 – Violin Leonid Kogan, USSR (°Dniepropetrovsk 1924, Moscow 1982 – 1st Prize violin 1951) Niccolò PAGANINI (1782-1840) - Violin Concerto n.1 (Cadenza) Palais des Beaux-Arts, Finals, 23.05.51 Berl Senofsky, USA (°Philadelphia 1925 – 1st Prize violin 1955) Claude DEBUSSY (1862-1918) - Violin Sonata with Eugène De Canck, piano Palais des Beaux-Arts, Finals, 26.05.55 Julian Sitkovetsky, USSR (°Kiev 1925, Moscow 1958 – 2nd Prize violin 1955) Eugène YSAŸE (1858-1931) - Violin Sonata op.27/6 Palais des Beaux-Arts, Laureates concert, 08.06.55 Jaime Laredo, Bolivia (°Cochabamba 1941 – 1st Prize violin 1959) Darius MILHAUD (1892-1974) - Concert royal for violin and orchestra op.373 with the Belgian National Orchestra, Franz André Palais des Beaux-Arts, Finals, 28.05.59 Charles Castleman, USA (°Quincy 1941– 5th Prize violin 1963) Léon JONGEN (1884-1969) - Concerto en ré for violin and orchestra with the Belgian National Orchestra, Franz André Palais des Beaux-Arts, Finals, 23.05.63 Total time CD 1: 65’16 CD 2 – Piano Leon Fleisher, USA (°San Francisco 1928 – 1st Prize piano 1952) Johannes BRAHMS (1833-1897) - Piano Concerto n.1 op.15 with the Belgian National Orchestra, Franz André Palais des Beaux-Arts, Finals, 26.05.52 Lazar Berman, USSR (°Leningrad 1930 – 5th Prize piano 1956) Sergei PROKOFIEV (1891-1953) - Toccata for piano op.11 Palais des Beaux-Arts, Finals, 29.05.56 Malcolm Frager, USA (°St Louis 1935, Lennox 1991 – 1st Prize piano 1960) Marcel POOT (1901-1988) - Piano Concerto with the Belgian National Orchestra, Franz André Palais des Beaux-Arts, Finals, 25.05.60 Total time CD 2: 74’24 CD 3 – Piano Vladimir Ashkenazy, USSR (°Gorki 1937 – 1st Prize piano 1956) Franz LISZT (1811-1886) - Piano Concerto n.1 with the Belgian National Orchestra, Franz André Palais des Beaux-Arts, Finals, 01.06.56. Jean-Claude Vanden Eynden, Belgium (°Brussels 1947 – 3rd Prize piano 1964) Robert SCHUMANN (1810-1856) - Symphonic Etudes Palais des Beaux-Arts, Finals, 25.05.64 Evgeny Moguilevsky, USSR (°Odessa 1945 – 1st Prize piano 1964) Sergei RACHMANINOV (1873-1943) - Piano Concerto n.3 op.30 with the Symphony Orchestra of the RTB/BRT, Daniel Sternefeld Palais des Beaux-Arts, Gala, 12.06.64 Total time CD 3: 80’37 CD4 – Violin Alexei Michlin, USSR (°Minsk 1938 – 1st Prize violin 1963) Dmitry SHOSTAKOVICH (1906-1975) - Violin Concerto n.1 op.77 with the Belgian National Orchestra, André Cluytens Palais des Beaux-Arts, Gala, 13.06.63 Philippe Hirshhorn, USSR (°Riga 1946, Brussels 1996 – 1st Prize violin 1967) Maurice RAVEL (1875-1937) - Tzigane for violin and orchestra with the Belgian National Orchestra, René Defossez Palais des Beaux-Arts, Gala, 09.06.67 Gidon Kremer, USSR (°Riga 1947 – 3rd Prize violin 1967) Robert SCHUMANN (1810-1856) - Fantaisie for violin and piano with Marina Bondarenko, piano Palais des Beaux-Arts, Finals, 25.05.67 Peter Zazofsky, USA (°Boston 1954 – 2nd Prize violin 1980) Frederic VAN ROSSUM (°1939) - Violin Concerto n.1 with the Belgian National Orchestra, Georges Octors Palais des Beaux-Arts, Finals, 27.05.80 Total time CD 4: 75’14 CD 5 – Piano André De Groote, Belgium (°Brussels 1940 – 5th Prize piano 1968) Sergei RACHMANINOV (1873-1943) - Paganini Variations op.43 with the Belgian National Orchestra, René Defossez Palais des Beaux-Arts, Laureates concert, 05.06.68 Ekaterina Novitskaja, USSR (°Vechniaki 1951 – 1st Prize piano 1968) Modest MOUSSORGSKY (1839-1881) - Pictures of an Exhibition Palais des Beaux Arts, First laureates recital, 31.05.68 Yuri Egorov, USSR (°Kazan 1954, Amsterdam 1988 – 3rd Prize piano 1975) Robert SCHUMANN (1810-1856) - Carnaval Palais des Beaux-Arts, Finals, 27.05.75 Total time CD 5: 79’59 CD 6 – Piano Mitsuko Uchida, Japan (°Tokyo 1948 – 10th Prize piano 1968) Ludwig van BEETHOVEN (1770-1827) - Piano Concerto n. 3 op.37 with the Symphony Orchestra of the RTB/BRT, Daniel Sternefeld Palais des Beaux-Arts, finals, 21.05.68 Abdel-Rahman El-Bacha, Lebanon (°Beyrouth 1958 – 1st Prize piano 1978) Sergei PROKOFIEV (1891-1953) - Piano Concerto n. 2 op.16 with the Belgian National Orchestra, Georges Octors Palais des Beaux-Arts, finals, 31.05.78 Andrei Nikolsky, stateless (°Moscow 1959, Waterloo 1995 – 1st Prize piano 1987) Frédéric CHOPIN (1810-1849) - Barcarolle for piano Brussels Royal Conservatory, semi-finals, 13.05.87 Total time CD 6: 76’38 CD 7 – Violin Edith Volckaert, Belgium (°Ghent 1949, Brussels 1992 – 5th Prize violin 1971) Béla BARTÓK (1881-1945) - Violin Concerto n.2 with the Belgian National Orchestra, Michael Gielen Palais des Beaux-Arts, Laureates concert, 02.06.71 Yuzuko Horigome, Japan (°Tokyo 1957 – 1st Prize violin 1980) Johannes BRAHMS (1833-1897) - Violin Sonata n.1 op.78 with Jean-Claude Vanden Eynden, piano Palais des Beaux-Arts, Finals, 30.05.80 Mikhaïl Bezverkhny, USSR (°Leningrad 1947 – 1st Prize violin 1976) Dmitry SHOSTAKOVICH/Dmitry TZYGANOV - Four preludes for violin and piano op.34 with Bella Rakova, piano Palais des Beaux-Arts, Finals, 29.05.76 Total time CD 7: 73’31 CD 8 – Piano Mikhaïl Faerman, USSR (°Beltzy 1955 – 1st Prize piano 1975) Piotr Il’yich TCHAIKOVSKY (1840-1893) - Piano Concerto n.1 op.35 with the Symphony Orchestra of the BRT, Irwin Hoffmann Palais des Beaux-Arts, Finals, 31.05.75 Pierre-Alain Volondat, France (°Vouzon 1962 – 1st Prize piano 1983) Johannes BRAHMS (1833-1897) - Four Ballades for piano op.10 Palais des Beaux-Arts, Finals, 27.05.83 Johan Schmidt, Belgium (°Uccle 1964 – 4th Prize piano 1987) Igor STRAVINSKY (1882-1971) - Petrouchka for piano Palais des Beaux-Arts, Finals, 27.05.87 Total time CD 8: 71’47 CD 9 – Violin Miriam Fried, Israël (°Satu-Mare 1946 – 1st Prize violin 1971) Jean SIBELIUS (1865-1957) - Violin Concerto op.47 with the Symphony Orchestra of the RTB/BRT, René Defossez Palais des Beaux-Arts, Finals, 17.05.71 Nai Yuan Hu, Korea (°Taiwan 1961 – 1st Prize violin 1985) Jean-Marie SIMONIS (°1931) - Cantilène for violin and orchestra with the Belgian National Orchestra, Georges Octors Palais des Beaux-Arts, Finals, 29.05.85 Yayoi Toda, Japan (°Fukui 1968 – 1st Prize violin 1993) Leos JANÁ_EK (1854-1928) - Violin Sonata with Dana Protopopescu, piano Palais des Beaux-Arts, Finals, 04.06.93 Nikolaj Znaider, Denmark (°Copenhagen 1975 – 1st Prize violin 1997) Eugène YSAŸE (1858-1931) - Violin Sonata op.27/2 Palais des Beaux-Arts, Finals, 03.06.95 Total time CD 9: 76’44 CD 10 – Piano Valery Afanassiev, USSR (°Moscow 1947 – 1st Prize piano 1972) Franz SCHUBERT (1797-1828) - Piano Sonata op.120 (D664) Palais des Beaux-Arts, Finals, 01.06.72 Daniel Blumenthal, USA (°Landstuhl 1952 – 4th Prize piano 1983) Frédéric DEVREESE (°1929) - Piano Concerto n. 4 with the Belgian National Orchestra, Georges Octors Palais des Beaux-Arts, Finals, 23.05.83 Frank Braley, France (°Corbeil 1968 – 1st Prize piano 1991) Wolfgang Amadeus MOZART (1756-1791) - Piano Sonata K332 Palais des Beaux-Arts, Finals, 31.05.91 Frank Braley, Stephen Prutsman, Brian Ganz (1st, 2nd & 3rd Prize piano 1991) Sergei RACHMANINOV (1873-1943) - Romance for 6 hands Palais des Beaux-Arts, Gala, 18.06.91 Markus Groh, Germany (°Waiblingen 1970 – 1st Prize piano 1995) Ludwig van BEETHOVEN (1770-1827) - Piano Sonata op.110 Brussels Royal Conservatory, Semi-finals, 13.05.95 Total time CD 10: 74’16 CD 11 – Violin & piano Vadim Repin, USSR (°Novosibirsk 1971 – 1st Prize violin 1989) Piotr Il’yich TCHAIKOVSKY (1840-1893) - Violin Concerto with the Belgian National Orchestra, Georges Octors Palais des Beaux-Arts, Finals, 29.05.89 Vitaly Samoshko, Ukraine (°Kharkov 1973 – 1st Prize piano 1999) Frédéric CHOPIN (1810-1849) - Ballade for piano n.4 Brussels Royal Conservatory, Semi-finals, 15.05.99 Alexandre Ghindin, Russia (°Moscow 1977 – 2nd Prize piano 1999) Franz LISZT (1811-1886) - Piano Sonata Brussels Royal Conservatory, Semi-finals, 13.05.99 Total time CD 11: 76’16 CD 12 – Singing Aga Winska, Poland (°Warsaw 1964 – 1st Prize singing 1988) Giuseppe VERDI (1813-1901) - "é strano" (La Traviata) with the Monnaie Symphony Orchestra, Sylvain Cambreling Palais des Beaux-Arts, Finals, 28.05.88 Thierry Félix, France (°Paris 1965 – 1st Prize singing 1992) Wolfgang Amadeus MOZART (1756-1791) - "Tutto è disposto" (Le Nozze di Figaro) with the Monnaie Symphony Orchestra, Marc Soustrot Palais des Beaux-Arts, Finals, 24.05.92 Stephen Salters, USA (°New Haven 1970 – 1st Prize singing 1996) Ottorino RESPIGHI (1879-1936) - Notte (Negri) with Jozef De Beenhouwer, piano Brussels Royal Conservatory, Semi-finals, 15.05.96 Ana Camelia Stefanescu, Romania (°Bucarest 1974 – 2nd Prize singing 1996) Philippe BOESMANS (°1936) - Seasons’ Dream with Andreiana Rosca-Geamana, piano Brussels Royal Conservatory, Semi-finals, 16.05.96 Eleni Matos, USA (°Watertown 1966 – 3rd Prize singing 1996) Gustav MAHLER (1860-1911) - "Ich hab’ ein glühend Messer" (Rückert-Lieder) with Daniel Blumenthal, piano Brussels Royal Conservatory, Semi-finals, 16.05.96 Olga Pasichnyk, Russia (°Rivne 1968 – 3rd Prize singing 2000) Claudio MONTEVERDI (1567-1643) - "Dal mio Permesso amato" (L’Orfeo) with The Academy of Ancient Music, Paul Goodwin Palais des Beaux-Arts, Finals, 17.05.00 Marius Brenciu, Romania (°Brasou 1973 – 2nd Prize singing 2000) Giuseppe VERDI (1813-1901) - "O figli" (Macbeth) with the Monnaie Symphony Orchestra, Marc Soustrot Palais des Beaux-Arts, Finals, 25.05.00 Marie-Nicole Lemieux, Canada (°Dolbeau-Mistassini 1975 – 1st Prize singing 2000) Gioacchino ROSSINI (1792-1868) - "Cruda sorte – Qual chi vuol’" (L’Italiana in Algeri) with the Monnaie Symphony Orchestra, Marc Soustrot Palais des Beaux-Arts, Semi-finals, 20.05.00 Marie-Nicole Lemieux, Canada (°Dolbeau-Mistassini 1975 – 1st Prize singing 2000) Ernest CHAUSSON (1855-1899) - Le temps des lilas (Bouchor) with Daniel Blumenthal, piano Brussels Royal Conservatory, Semi-finals, 19.05.00 Total time CD 12: 43’02
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Edycja Jubileuszowa

There are, naturally enough, many criteria that have conditioned the programme choice for this box-set. With regard to repertory, we wished first to avoid duplications (which, in view of the number of winning Sibelius Violin Concertos or Tchaikovsky First Piano Concertos, was not as simple as it might appear). It also seem desirable to avoid incomplete works, such as are part of the programmes during the first sessions, a choice that deprives one of the excellent set concertos for piano by Raymond Chevreuille (1952), the first movement of which was not played, and of Barber’s Piano Sonata, which John Browning (the future first performer of the latter’s Concerto) only performed in part in that same year. Our intention is to present a meaningful selection of the set concertos, since they form such an intimate part of the Competition’s history. Finally, we want the time allotted to solo piano works and to chamber music to be more than symbolic, in view of its growing importance for the organisation of the "Queen Elisabeth". As for the laureates, after much discussion the most appropriate and fairest attitude seemed to us to be to include all the First Prize winners without exception: it is thus a faithful portrayal of the Competition, bringing out the main thrust of the juries’ decisions as well as the characteristics of the time. Leonid Kogan - who has been in any case remarkably well served on records - opens the series with only a cadenza for his Paganini concerto: the original records were not found, and it was not possible to use the available magnetic copy. It has been included here quite exceptionally thanks to a later phonographic recording of just this extract; but the cadenza will not disappoint violin lovers. In addition to the First Prize winners is a selection (and how cruel that is!) of some striking moments bequeathed to posterity by the laureates placed 2nd to 6th, with a special homage to some of the most memorable Belgian laureates. Lastly, for its exemplary value,we include one recording, (from among others - though this is of particular charm) that shows the artistry of a less highly placed laureate: the very young Mitsuko Uchida. In 1968 she was placed 10th, but her Beethoven n° 3 shows us that the blossoming of her immense talent was by no means a late phenomenon. Technically, the highly varied quality of the recording materials posed serious problems, and considerable differences will be noticed from year to year in respect of the same hall or of similar orchestras. We did not want to level out too much these differences. Consequently, the available sound recordings and copies for 1963 may seem more distant than those of 1959. We believe, however, that the artistic interest greatly compensates for the variations in quality.

 

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