'Maria Grazia Schiavo displays a nimble coloratura technique, prhases elegantly and makes much of her words. She vividly captures the pathos and agitation of the scena e rondeau 'Ti lascio adorato' and finds a tenderly softened tone for the graceful love song 'D'un dolce ardor' (Gramophone)
'Schiavo's coloratura generates the thrill of an athelete leaping hurdles' (The Guardian)
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Following acclaimed discs exploring some of the more fascinating byways of the Italian eighteenth century, Auser Musici and its founder-director Carlo Ipata turn to the man Beethoven regarded as the finest of his contemporaries, Luigi Cherubini. It’s not difficult to understand why Beethoven was so impressed: this is music full of character and seriousness of intent, from the strong-jawed Sinfonia for the opera Armida abandonnata, written when Cherubini was just twenty-two, to the dark drama of the Overture to Démophon (which unaccountably failed to wow the sniffy Parisian audiences). And there are vocal delights too, showcasing a virtuosity that looks forward to Rossini and sung here with effortless agility by Maria Grazia Schiavo.
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Gwyneth Herbert - All The Ghosts
Ramon Ruiz - Flamenco Havana
Mike Lindup - Conversations with Silence
Fred Simon - Dreamhouse
Earwax Control - 2 Live
Chris Anderson - From the Heart
Antonio Forcione, Neil Stacey - Acoustic Mania - Talking Hands
SCHUBERT, STRAVINSKY, MOZART, The Allegri String Quartet - Arpeggione Sonata // Three Pieces for String Quartet // Three Pieces for Clarinet Solo // Clarinet Quintet in A Major
SCHUBERT, MENDELSSOHN, The Norwegian Chamber Orchestra - Symphony No. 5 in B Flat // Symphony No.4 in A