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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
CHERUBINI, Maria Grazia Schiavo, Auser Musici, Carlo Ipata
Arias and Overtures from Florence to Paris
- Sinfonia from Il Giulio Sabino (1786, London) . [9'40]
- 1 Adagio — Allegro.....[3'47]
- 2 Adagio......[3'36]
- 3 Allegro vivace......[2'17]
- 4 Turbata ai dubbi accenti.... aria from Ifigenia in Aulide (1788 Turin)[5'57]
- 5 D’un dolce ardor la face insertion aria for ANTONIO SALIERI’s La grotta di Trofonio (1790, Paris)[5'01]
- 6 Ouverture from Démophon (1788 Paris) [6'36]
- 7 Ti lascio adorato mio ben Scena e rondeau [for Mlle Baletti] (1789, Paris) [10'39]
- 8 Sinfonia from Armida abbandonata (1782, Florence) [5'02]
- 9 Qual da venti combattuta aria from Armida abbandonata (1782, Florence)[3'52]
- 10 I mesti affetti miei aria from Il Giulio Sabino (1786, London) [6'12]
- 11 Sinfonia from Mesenzio, re d’Etruria (1782, Florence) [5'06]
- Maria Grazia Schiavo - soprano
- Auser Musici - orchestra
- Carlo Ipata - conductor
- CHERUBINI
59.00 PLN
CD:
Nr kat.: CDA67893Label : Hyperion
'Maria Grazia Schiavo displays a nimble coloratura technique, prhases elegantly and makes much of her words. She vividly captures the pathos and agitation of the scena e rondeau 'Ti lascio adorato' and finds a tenderly softened tone for the graceful love song 'D'un dolce ardor' (Gramophone) 'Schiavo's coloratura generates the thrill of an athelete leaping hurdles' (The Guardian) **************************************** Following acclaimed discs exploring some of the more fascinating byways of the Italian eighteenth century, Auser Musici and its founder-director Carlo Ipata turn to the man Beethoven regarded as the finest of his contemporaries, Luigi Cherubini. It’s not difficult to understand why Beethoven was so impressed: this is music full of character and seriousness of intent, from the strong-jawed Sinfonia for the opera Armida abandonnata, written when Cherubini was just twenty-two, to the dark drama of the Overture to Démophon (which unaccountably failed to wow the sniffy Parisian audiences). And there are vocal delights too, showcasing a virtuosity that looks forward to Rossini and sung here with effortless agility by Maria Grazia Schiavo.