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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

CARISSIMI, I Madrigalisti Ambrosiani, Gianluca Capuano

Jonas Lauda Sion Missa ut Queant Laxis

Utwory
Wykonawcy
Twórcy

1. Missa Ut Queant Laxis: Introito - 4:12
2. Missa Ut Queant Laxis: Kyrie - 1:58
3. Missa Ut Queant Laxis: Christe - 0:58
4. Missa Ut Queant Laxis: Kyrie (2) - 1:34
5. Missa Ut Queant Laxis: Gloria - 5:07
6. Missa Ut Queant Laxis: Canzon Dopo L'Epistola - 1:52
7. Missa Ut Queant Laxis: Credo - 6:57
8. Missa Ut Queant Laxis: Sanctus - 0:50
9. Missa Ut Queant Laxis: Toccata Per L'Elevatione - 5:21
10. Missa Ut Queant Laxis: Agnus - 1:00
11. Lauda Sion - 9:26
12. Historia Joane: Symphonia - 1:10
13. Historia Joane: Cum Repleta - 0:36
14. Historia Joane: Surge, Surge Jona - 0:44
15. Historia Joane: Audivit Jonas - 0:40
16. Historia Joane: Et Cum Processisset - 0:19
17. Historia Joane: Et Praeliabantur Venti - 2:24
18. Historia Joane: Dii Magni - 2:06
19. Historia Joane: Jonas Autem - 0:40
20. Historia Joane: Quid Tu Sopore Deprimeris? - 0:24
21. Historia Joane: Venite, Venite - 0:27
22. Historia Joane: Miserunt Ergo Sortem - 0:19
23. Historia Joane: Indica Nobis - 0:24
24. Historia Joane: Hebraeus Ego Sum - 0:23
25. Historia Joane: Quid Faciemus Tibi - 0:19
26. Historia Joane: Tollite Me - 0:46
27. Historia Joane: Tulerunt Nautae Jonam - 0:30
28. Historia Joane: Et Preparavit Dominus - 0:30
29. Historia Joane: Iustus Es, Domine - 6:08
30. Historia Joane: Et Imperavit Dominus - 0:21
31. Historia Joane: Et Crediderunt Ninivitae - 0:29
32. Historia Joane: Peccavimus, Domine - 2:30

I Madrigalisti Ambrosiani - orchestra
Gianluca Capuano - conductor

CARISSIMI

49.00 PLN

CD:

Nr kat.: STR33565
Label : Stradivarius

In many ways, Giacomo Carissimi - was quite literally - singularly unusual among the composers of the Italian baroque. Despite his enormous artistic stature, he was a humble man who didi not seek the limelight and who lived for his art alone. This lack of ego was as rare in his day as it is in aurs but fate was to play a cruel joke on him nonetheless. A papal decree stated that his manuscripts were to be preserved in the archive of the Collegium Germanicum so that they would be handed down to his successors intact. However, the opposite happened and they were completely lost. Thus it is that Carissimi enjoys a great reputation, yet there is a glaring lack of first-hand sources of his work.