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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
CALACE, Sergio Zigiotti, Fabiano Merlante
Opera Completa per Mandolino e Chitarra
ZamknijGaleria okładek
- Sergio Zigiotti - mandolin
- Fabiano Merlante - guitar
- CALACE
64.00 PLN
CD:
Nr kat.: NIC1056Label : Nuova Era
The long, productive period of activity of the Neapolitan musician Raffaele Calace, because of its timing (1863-1934), fell in an era of great social and political transformations that had important consequences also on a cultural level. At the end of the Bourbon domination, while the most important Neapolitan theatres were beginning to have problems, a radical cultural renewal took place, concentrating chiefly on a gradual increase of musical interest in instrumental production. Raffaele Calace, second son of the luthier Antonio, received his musical education at the Conservatory of Naples, where he studied violin; but he graduated in composition under the guidance of Paolo Serrao and Francesco Ancona. His musical activity was devoted above all to plucked string instruments, and he became a virtuoso performer on them and a composer of music for them. Calace – contrary to what one might expect, considering the great number of pieces that have been published for this combination of instruments – composed a version for mandolin and guitar only of the works presented here: they are still present and available, for this combination of instruments, in the present-day catalogue of the Calace Editions.