Logowanie

Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BYRD, GIBBOONS, SWEELINCK, Colin Tilney

Go From My Window - Music for the Virginal

Utwory
Wykonawcy
Twórcy

Music for the Virginal - Go From My Window
01. Thomas Morley - Go from my Window (6:48)
02. Jan Pietersz Sweelinck - Alemande de Chapelle (3:44)
03. Orlando Gibboons - The Italian Ground (1:51)
04. Gibbons - Ground in A (2:32)
05. Melchior Schildt - Paduana Lachrymae (6:15)
06. John Bull - Irish Toy (1:01)
07. Gibbons - Coranto (2:36)
08. Bull - Prelude in G (2:07)
09. Bull - Pavan Lord Lumley (5:09)
10. Bull - Galliard Lord Lumley (3:03)
11. Bull - My Grief (1:29)
12. Bull - Alman in D (1:07)
13. Bull - Alman in D (0:56)
14. Bull - Why Ask You (2:26)
15. Giles Farnaby - Why Ask You (2:51)
16. anonymous - Paduana Lachrymae (5:29)
17. Sweelinck - Mein junges Leben hat ein End (6:49)
18. William Byrd - The Fifth Pavan (My Lady Nevell's Book) (4:56)
19. Byrd - The Fifth Galliard (My Lady Nevell's Book) (1:56)
20. Byrd - The Barley Break (10:04)

Colin Tilney - harpsichords

BYRD
GIBBOONS
SWEELINCK

64.00 PLN

CD:

Nr kat.: DOR90195
Label : DORIAN (USA)

NAGRANIE REFERENCYJNE - 20bit - FIBER OPTIC DISK

The song Go from my Window opens with a perfect phrase. Its six notes, moving through only three pitches and returning to their starting place, outline a major third, the one perfect interval in meantone tuning. It is a phrase whose heartbreaking serenity is so often found in the English virginal composers, especially in the greatest of them all, William Byrd. Slightly modified, the phrase comes back in Sweelinck's Chapelle variations, in Gibbons' first ground and in Bull's first alman. Its rising third can be heard at the start of Bull's prelude and in the opening of his pavan for Lord Lumley. In addition, Morley's second statement, placed a tone above the first, is echoed harmonically in Bull's pavan and in the final section of the Barley Break, at the very end of the record - Colin Tilney ©1994