The works recorded here reflect contrasting yet complementary elements of Britten's creative art. His lifelong interest in folksong is perhaps the most obvious feature, while his debt to Purcell is clearly in evidence in the First Canticle. In the Seven Sonnets of Michelangelo Britten's musical language is revealed at its most consciously European; in Winter Words it is at its most lyrically English.
'Wonderful performances of two of Britten's finest song cycles, consistently beautiful in vocal quality, and almost miraculous in their integration of clear expressive diction. Deserves a place in every collection' (BBC Music Magazine)
'English vocal intelligence at its best, accompanied with utmost orchestral colouring by Graham Johnson' (The Independent on Sunday)
'Strongly recommended' (Fanfare, USA)