Najbardziej analogowe brzmienie na CD - K2HD nastę
BEETHOVEN, Bruno Walter
Symphony No. 6 'Pastorale'
Legendarna seria GREAT PERFORMANCES teraz na K2HD!
RODGERS, HAMMERSTEIN, Julie Andrews
Sound Of Music
EGZEMPLARZE NUMEROWANE Z PLATYNOWEJ PARTII 250-500 SZTUK!
NAIM Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
Britten - the Performer, MENDELSSOHN, MOZART, DEBUSSY, HAYDN, English Chamber Orchestra, Benjamin Britten
Overture 'The Hebrides' / Symphony No.35 / Prelude a l'apres midi d'un faune
- Mendelssohn: Overture The Hebrides Op.26
- Mozart: Symphony No.35 in D major K385 Haffner
- Haydn: Symphony in C minor Hob.1:95
- Debussy: Prelude a l'apres midi d'un faune
- Beethoven: Overture Coriolan Op.62
- Benjamin Britten
- Mendelssohn: Overture "The Hebrides" Op.26
- Snape Maltings, 13 June 1971
- Mozart: Symphony No.35 in D major K385 "Haffner"
- Snape Maltings, 19 June 1972
- Haydn: Symphony in C minor Hob.1:95
- Blythburgh Church, Suffolk, 16 June 1965
- Debussy: Prelude a l'apres midi d'un faune
- Beethoven: Overture "Coriolan" Op.62
- Blythburgh Church, Suffolk, 14 June 1966
- English Chamber Orchestra
- Benjamin Britten
69.00 PLN
CD:
Nr kat.: BBCB8008Label : BBC Legends
This is the sort of disc that makes listeners prefer old live performances on CD to new performances heard in person. Drawn from the British Broadcasting Corporation archive, the program is drawn from four concerts performed by the English Chamber Orchestra conducted by Benjamin Britten. The musicianship of players and conductor together--in what might otherwise be run-of-the-mill repertoire--is astounding. Mendelssohn's 'Fingal's Cave' overture leads off, its striking opening bars providing a fitting start to the disc. The British affection for the sea leads Britten to a wonderfully evocative rendering throughout the work. Yet this masterful reading hardly prepares for what follows. The Haydn and Mozart symphonies are performed with the perfect blend of elegance and lilt, never heavy-handed and always with the underpinnings of dance which can so easily be obscured. And Debussy's 'Prélude l'aprés-midi d'un faune' is a treasure, every sonority clear and transparent, even in the live acoustic of Blythburgh Church. Do not shy away from this disc for its somewhat odd program or lack of a "blockbuster" work--these are all must-hear performances!