Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BRAHMS, Helene Grimaud, Andris Nelsons, Symphonie-Orchester des Bayerischen Rundfunk, Wiener Philharmoniker
Concertos
Piano Concerto No. 1 in D Minor op. 15
1. 1. Maestoso - Poco pi? moderato (Live) 23:50
2. 2. Adagio (Live) 14:22
3. 3. Rondo. Allegro non troppo (Live) 12:26
Piano Concerto No. 2 in B Flat Major op. 83
1. 1. Allegro non troppo 18:51
2. 2. Allegro appassionato 9:25
3. 3. Andante - Pi? adagio 12:44
4. 4. Allegretto grazioso - Un poco pi? presto 9:17
- Helene Grimaud - piano
- Andris Nelsons - conductor
- Symphonie-Orchester des Bayerischen Rundfunk - orchestra
- Wiener Philharmoniker - orchestra
- BRAHMS
Reviews
February 2014
a superb pianist at the height of their powers [...] teamed to a conductor with whom they seem to have instinctive rapport...there's drama aplenty in the big first movement of the [Second] Concerto. Nelsons secures some delightfully pointed orchestral playing in No. 1's finale, and really creates the restorative calm of No. 2's slow movement.
Awards Issue 2013
Grimaud's second recording of the First sounds a tad less youthful, a tad more disciplined [than her first], but the balance between those two elements remains truly inspired...The Vienna Philharmonic...are a truly imposing force right from the opening...her results [in Op. 83] end up being no less monumental.
18th November 2013
judged on their own merits, [the performances] are outstanding: by turns, majestic, passionate, tender and dramatic... Grimaud?s slow movement is the highlight of the whole recording...The orchestral playing and direction, so crucial in these works, is exemplary as would be expected from two of the world?s great orchestras and one of the new generation of fine conductors.
11th October 2013
Throughout the CD, both conductor and soloist love to crawl when Brahms gives them half a chance. But they also grab the coin?s opposite side and sprint with tremendous vim through the second concerto?s finale...Either way, Grimaud and Nelsons have made their mark.
