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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BOGDANOVIC, BELLINATI, JOBIM, DYENS, Jakub Kosciuszko
Guitar Sounds Jazzy
- Jakub Kosciuszko - guitar
- BOGDANOVIC
- BELLINATI
- JOBIM
- DYENS
59.00 PLN
CD:
Nr kat.: JAZZY01Label : Presto
I am not a jazzman. However, as many jazzmen say, jazz is a kind of music to which you can add anything and it will still be jazz. I have a feeling that the opposite happens on this album: you can add jazz to anything else and it will sound like jazz, or shall I say jazzy. Guitar is a special instrument and so is its repertoire. It is often created by composers for whom jazz and world music represent a natural environment. Those composers are usually excellent, classically trained guitar players and know exactly what will sound great on the guitar. This allows them to write pieces which people want to listen to and play. The lack of wide, “serious” repertoire, which has been considered for many years as the greatest weakness of the guitar, became an impulse for creating music that connects various genres. On this album, I wanted to present the most important pieces to me, written on the the border of classic, jazz, Brazilian and Balkan music.