Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Bill Evans, Teddy Kotick, Paul Motian
New Jazz Conceptions
- Bill Evans - New Jazz Conceptions
- 01. I Love You (3:56)
- 02. Five (4:03)
- 03. I Got It Bad And That Ain't Good (1:39)
- 04. Conception (4:47)
- 05. Easy Living (3:53)
- 06. Displacement (2:36)
- 07. Speak Low (5:10)
- 08. Waltz For Debby (1:20)
- 09. Our Delight (4:47)
- 10. My Romance (2:01)
- 11. No Cover,No Minimum (Take2) (7:34)
- 12. No Cover,No Minimum (Take1) (8:09)
- Bill Evans - piano
- Teddy Kotick - double bass
- Paul Motian - drums
139.00 PLN
CD (miniLP):
Nr kat.: VICJ41515Label : JVC Japan
20bit K2Super Coding - ale jak to brzmi!
This groundbreaking recording was the first to feature then-unknown Bill Evans as a leader, and it also introduced a trio format of piano, bass, and drums, which would become Evans's standard format for playing and recording. NEW JAZZ CONCEPTIONS, ... Full Descriptionrecorded when Evans was just 26, merges his articulate, vigorous playing with the music of fellow Tony Scott Quartet musicians Teddy Kotick on bass and the extroverted Paul Motian on drums. The album's four original compositions include "Five," a witty, complicated song which makes clever use of the chords from "I Got Rhythm," and the disjointed, slightly off-kilter "Displacement," a study in a common Evans theme of playing against the meter and around the beat of a composition. The most remarkable material is the wonderfully eloquent piano solo, "Waltz for Debby," written for Evans's niece, which became perhaps the most renowned classic of his musical career. Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.Q (6/00, p.132) - 3 stars out of 5 - "...Plinks along pleasantly enough, without dispelling the feeling that it would go down better with some chicken in a basket..."
