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Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Symphony No. 9 From the New World
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BELLINI, Maria Callas, Giuseppe di Stefano, Orchestra e Coro del Palacio de las Bellas Artes, Guido Picco
I Puritani
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ZamknijGaleria okładek
- CD 1
- Bellini, Vincenzo
- Pepoli, Carlo - lyricist(s)
- I puritani - 02:23:29
- 1. Act I Scene 1: Sinfonia - 03:57
- 2. Act I Scene 1: All'erta! All'erta! (Chorus) - 05:01
- 3. Act I Scene 1: O di Cromvel guerrieri (Bruno) - 03:25
- 4. Act I Scene 1: A festa! (Chorus) - 02:56
- 5. Act I Scene 1: Or dove fuggo io mai? (Riccardo) - 03:09
- 6. Act I Scene 1: Ah! per sempre io ti perdei (Riccardo) - 03:36
- 7. Act I Scene 1: T'appellan le schiere … Bel sogno beato (Bruno) - 02:24
- 8. Act I Scene 2: O amato zio, o mio secondo padre (Elvira) - 02:17
- 9. Act I Scene 2: Sai com'arde in petto mio (Elvira) - 02:14
- 10. Act I Scene 2: Odi … Qual suon si desta? (Giorgio) - 06:11
- 11. Act I Scene 2: Ad Arturo onore (Chorus) - 03:25
- 12. Act I Scene 2: A te, o cara (Arturo) - 05:59
- 13. Act I Scene 2: Il rito augusto si compia senza me (Valton) - 03:05
- 14. Act I Scene 2: Cavalier! … Se ti e d'uopo di consiglio (Enrichetta) - 03:05
- 15. Act I Scene 2: Son vergin vezzosa (Elvira) - 03:31
- 16. Act I Scene 2: Sulla virginea testa (Enrichetta) - 00:46
- 17. Act I Scene 2: Ferma. Invan rapir pretendi (Riccardo) - 04:43
- 18. Act I Scene 2: Dov'e Arturo? (Elvira) - 03:16
- 19. Act I Scene 2: Oh vieni al tempio - fedele Arturo (Elvira) - 05:38
- 20. Act I Scene 2: Ma tu gia mi fuggi? (Elvira) - 02:25
- CD 2
- Bellini, Vincenzo
- Pepoli, Carlo - lyricist(s)
- I puritani - 02:23:29
- 1. Act II: Ah … dolor! Ah, terror! (Chorus) - 04:06
- 2. Act II: Qual novella? (Chorus) - 01:53
- 3. Act II: Cinta di fiori e col bel crin disciolto (Giorgio) - 03:36
- 4. Act II: E di morte lo stral non sara lento (Riccardo) - 03:12
- 5. Act II: O rendetemi la speme (Elvira) - 02:48
- 6. Act II: Qui la voce sua soave (Elvira) - 08:45
- 7. Act II: Vien, diletto, e in ciel la luna! (Elvira) - 03:12
- 8. Act II: Il rival salvar tu dei (Giorgio) - 04:27
- 9. Act II: Se tra il buio un fantasma vedrai (Giorgio) - 04:36
- 10. Act II: Suoni la tromba (Giorgio, Riccardo) - 03:54
- 11. Act III: Introduzione - 02:30
- 12. Act III: Son salvo, alfin son salvo (Arturo) - 02:11
- 13. Act III: A una fonte afflitto e solo (Elvira) - 01:01
- 14. Act III: Qual suon! Alcun s'appressa (Arturo) - 03:40
- 15. Act III: Son gia lontani! (Arturo) - 01:51
- 16. Act III: Fini … me lassa (Elvira) - 02:18
- 17. Act III: Ch'ei provo lontan da me? (Arturo) - 04:15
- 18. Act III: Vieni fra queste braccia (Arturo) - 04:01
- 19. Act III: Alto la! Fedel drappello (Giorgio, Riccardo) - 03:32
- 20. Act III: Credeasi, misera! (Arturo) - 03:33
- 21. Act III: Suon d'araldi? (Chorus) - 03:05
- Maria Callas - soprano
- Giuseppe di Stefano - tenor
- Orchestra e Coro del Palacio de las Bellas Artes - orchestra
- Guido Picco - conductor
- BELLINI
69.00 PLN
2 CD:
Nr kat.: IDIS6410-1Label : Dynamic (Italia)
IDIS has already shown a particular interest in the live recordings of Maria Callas, choosing those that are rarer and more precious. After Trieste’s Norma and Florence’s Medea - both dating from 1953 - it is now the turn of one of Callas’s best performances: Bellini’s Puritani sung with Giuseppe Di Stefano in Mexico City in May 1952. The great soprano would interpret the role of Elvira many other times, but never with such superb vocal means as she possessed then: this recording is therefore one of her discographic apexes, at least as far as Bellini’s repertoire is concerned. The new digital re-mastering, moreover, restores sound quality to this recording, which, up to now, was known to music lovers only through rather mediocre LP and CD versions.