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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BEETHOVEN, BRAHMS, Jascha Heifetz, Arturo Toscanini, New York Philharmonic
Violin Concerto in D major / Violin Concerto in D Major
ZamknijGaleria okładek
- Beethoven, Ludwig van
- Violin Concerto in D major, Op. 61 - 37:56
- 1. I. Allegro ma non troppo - 20:51
- 2. II. Larghetto - 08:33
- 3. III. Rondo: Allegro - 08:32
- Brahms, Johannes
- Violin Concerto in D major, Op. 77 - 37:06
- 4. I. Allegro non troppo - 20:36
- 5. II. Adagio - 08:52
- 6. III. Allegro giocoso, ma non troppo vivace - 07:38
- Jascha Heifetz - violin
- Arturo Toscanini - conductor
- New York Philharmonic - orchestra
- BEETHOVEN
- BRAHMS
The present CD features two live recordings made by Heifetz at more than twenty years’ distance, with two of the greatest conductors of the twentieth century: Dimitri Mitropoulos and Arturo Toscanini. In Beethoven’s Concerto (9th February 1956), with Toscanini on the podium of the New York Philharmonic-Symphony Orchestra, the understanding between the two musicians, as far as phrasing, rhythm, and feeling, seems perfect. In the Brahms Concerto, recorded with Tosacnini in 1935, the violinist’s technique is flawless, as is his intonation, crystal clear as always. And the synergy with Toscanini - a conductor who notoriously disliked working with the stars of the international concert halls - is quite good, even though it cannot not compare to that with Mitropoulos