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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BEETHOVEN, Friedrich Gulda, Karl Bohm
Triple Concerto
Beethoven
Piano Concerto No. 4
01. I-Allegro Moderato (17:13)
02. II-Andante con moto (3:58)
03. III-Molto Allegro (9:46)
Triple Concerto op56, Bohm 1954
04. I-Allegro (17:41)
05. II-Largo (5:44)
06. III-Rondo alla Polacca (12:15)
- Friedrich Gulda - piano
- Friedrich Gulda - conductor
- Trio de Trieste - orchestra
- Wiener Philharmoniker - orchestra
- Karl Bohm - conductor
- BEETHOVEN
39.00 PLN
CD:
Nr kat.: ARPCD0277Label : Archipel Records
Since it was issued in Archipel's "Desert Island Collection," it is hard to argue that either recording on this disc lives up to its name. But what recording could? Nevertheless, these are fine performances worth hearing by anyone who loves the performers and has already heard dozens of recordings of the works. The January 22, 1953, recording of Beethoven's Fourth Piano Concerto with Friedrich Gulda as both the conductor of the Vienna Symphony and the piano soloist, is a superbly performed, strongly imagined, single-minded interpretation. The March 11, 1954, recording of Beethoven's Triple Concerto with the Trio di Trieste accompanied by Karl Böhm, leading the Vienna Symphony, is a brilliantly performed, powerfully rhythmic, multifaceted collaboration. Gulda's interpretation may not be the deepest Fourth Concerto ever recorded, and the Trio di Trieste and Böhm's collaboration may not be the greatest Triple Concerto ever preserved, but it is still fascinating to hear what the performers do with the piece. This does not make them candidates for a desert-island collection, but, taken on their own terms, they are still interesting enough to listen to once. Archipel's sound is raw, harsh, and distant despite being "remastered...from superb sources."