Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BEETHOVEN, Evgeni Koroliov
Sonatas op. 109, 110 and 111
- Evgeni Koroliov - piano
- BEETHOVEN
59.00 PLN
CD:
Nr kat.: TAC208Label : Tacet
Evgeni Koroliov, the master of nuance, announces himself again with another recording of the Late Piano Sonatas of Beethoven, this time with op.109, 110 and 111. A heavy, powerful touch is not his thing. Of course he plays loudly where it should be loud, yet he captures the listener in a different way. He seduces him with the beautiful sound of his touch and with an almost all-absorbing intensity, to engage in small and even minuscule agogic phrasing, slurs or accentuation, in the flow and tumble of the subtle beauty of the score, which often simultaneously develops its powerful undercurrent and yet urges us to grant it our awareness. Thus out of many endless, small treasures emerges an unimaginably beautiful and great whole. Beethoven was not the powerful antagonist he is often portrayed as in loud but superficial interpretations. His creative force erupted in hieroglyphic ink blots on the paper; only in this way was he different to you and I. A mystery.