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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BEETHOVEN, HAYDN, Wilhelm Kempff, Lorin Maazel, Radio-Smphonie-Orchester Berlin
Piano Concerto No. 3 // Symphony No. 94 in G major - Berlin, 1971 / 1975
- BEETHOVEN Piano Concerto No. 3 in C minor Op. 37
- Allegro con brio (cadenza by Wilhelm Kempff)
- Largo
- Rondo. Allegro
- HAYDN Symphony No. 94 in G major Hob I:94
- Adagio cantabile – Vivace assai
- Andante
- Menuetto. Allegro molto
- Finale. Allegro molto
- Wilhelm Kempff - piano
- Lorin Maazel - conductor
- Radio-Smphonie-Orchester Berlin - orchestra
- BEETHOVEN
- HAYDN
59.00 PLN
CD:
Nr kat.: AUD97537Label : Audite
Wilhelm Kempff’s outstanding importance as an interpreter of Beethoven comes across impressively in this previously unpublished live recording, made in 1971. Right from the piano’s very first note, his blend of a relaxed mature style with his own characteristic improvisatory freedom and spontaneity fascinates and captivates orchestral players, conductor and audience alike. A second live concert recording, made in the previous year, shows Maazel and the RSO as sovereign custodians of Haydn’s famous “Surprise Symphony”, composed in London. In this performance Maazel consistently avoids any suggestion of cliché or comfortable, bewigged fustiness. Not least, this recording shows that even a modern, full symphony orchestra is capable of a high standard of ensemble playing, precision and flexibility – essential prerequisites for a performance worthy of Haydn.