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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BEETHOVEN, Teresa Stich-Randall, Hilde Rossel-Majdan, Waldemar Kmentt, Gottlob Frick, Orchestra Sinfonica e Coro di Roma della RAI, Herbert von Karajan

Karajan in Italy - Vol.2 - Symphony No. 9

Utwory
Wykonawcy
Twórcy

1. Allegro ma non troppo 15:32 2. Molto vivace 10:27 3. Adagio molto e cantabile 16:19 4. Presto Allegro assai 24:59 Total running time 67’21

Herbert von Karajan - conductor
Orchestra Sinfonica e Coro di Roma della RAI - orchestra
Teresa Stich-Randall - soprano
Hilde Rossel-Majdan - contralto
Waldemar Kmentt - tenor
Gottlob Frick - bass

BEETHOVEN

29.00 PLN

CD:

Nr kat.: CDS706
Label : Dynamic (Italia)

Karajan was unquestionably one of the most charismatic conductors of the 20th century, and of this the live recording of Beethoven’s Ninth Symphony made on 4th December 1954 with the symphonic and choral groups of the RAI in Rome is an eloquent testimony. Karajan possessed an exceptional capacity for having any orchestra play in the same way, and we can safely say that in terms of precision, intensity and beauty of sound his performance with the RAI Symphony Orchestra in Rome is in no way inferior to the version he recorded with the Philharmonia a few months later (July 1955). The Symphonic Chorus of the Rome RAI, directed by Nino Antonellini, gives a very worthy showing in the final Ode to Joy, and has nothing to envy in comparison with vocal ensembles of greater fame and prestige. The vocal cast, including Teresa Stich-Randall, Hilde RÖssel-Majdan, Waldemar Kmentt and Gottlob Frick, is well-balanced and of excellent quality; compared to the vocal cast for the EMI recording of 1955 (Schwarzkopf, HÖffgen, Haefliger, Edelmann), the four voices in the Rome recording cannot vaunt the presence of a soprano of superior calibre like Schwarzkopf, yet in compensation the bass Gottlob Frick sounds far more convincing than the mediocre Otto Edelmann of the EMI edition, whose performance is the only real weak point in an otherwise memorable recording.