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SIBELIUS, Joseph Swensen, Scottisch Chamber Orchestra

Theatre Music - Pelleas and Melisande / Kuolema - Belshazzar's Feast / The Tempest

  • 01. Pelleas and Melisande - At the Castle Gate (2:58) >>> Posłuchaj fragmentu <<<
  • 02. Pelleas and Melisande - Melisande (4:14) >>> Posłuchaj fragmentu <<<
  • 03. Pelleas and Melisande - At the Seashore (2:06)
  • 04. Pelleas and Melisande - A Spring in the Park (1:59)
  • 05. Pelleas and Melisande - The Three Blind Sisters (2:16)
  • 06. Pelleas and Melisande - Pastorale (2:01)
  • 07. Pelleas and Melisande - Melisande at the Spinning Wheel (1:47)
  • 08. Pelleas and Melisande - Entr'acte (2:51)
  • 09. Pelleas and Melisande - The Death of Melisande (6:16)
  • 10. Kuolema - Valse Triste (5:55) >>> Posłuchaj fragmentu <<<
  • 11. Belshazzar's Feast - Oriental Procession (2:28) >>> Posłuchaj fragmentu <<<
  • 12. Belshazzar's Feast - Solitude (3:26)
  • 13. Belshazzar's Feast - Nocturne (3:39)
  • 14. Belshazzar's Feast - Khadra's Dance (4:05)
  • 15. The Tempest: Suite No. 2 - Chorus of the Winds (3:17) >>> Posłuchaj fragmentu <<<
  • 16. The Tempest: Suite No. 2 - Intermezzo (1:50)
  • 17. The Tempest: Suite No. 2 - Dance of the Nymphs (1:39)
  • 18. The Tempest: Suite No. 2 - Prospero (1:41)
  • 19. The Tempest: Suite No. 2 - Song 1 (0:53)
  • 20. The Tempest: Suite No. 2 - Song 2 (0:58)
  • 21. The Tempest: Suite No. 2 - Miranda (1:51)
  • 22. The Tempest: Suite No. 2 - Naiads (1:21)
  • 23. The Tempest: Suite No. 2 - Dance Episode (2:13)
  • 24. Andante Festivo (4:05) >>> Posłuchaj fragmentu <<<
  • Joseph Swensen - conductor
  • Scottisch Chamber Orchestra - orchestra
  • SIBELIUS

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URZEKAJĄCA POEZJĄ, MGŁĄ I TĘSKNOTĄ ZA NIESPEŁNIONĄ MIŁOŚCIĄ...

>>> Większa okładka A <<<

 

The foundations of Sibelius’s reputation are his symphonies, tone poems and increasingly his songs but the music he wrote for the stage throughout his creative life includes some of his finest scores. This CD presents his theatre music from 2 distinct periods – the 1900s (contemporary with his Violin Concerto, and the Second and Third Symphonies) and the 1920s, including some of the last works of his to survive. At the time when Sibelius was emerging as a major creative figure, drama was pivotal to the development of cultural and social attitudes in Scandinavia. One need only mention 3 of his contemporaries: Ibsen, Strindberg and Bjornson. Sibelius was attracted to theatre as early as 1893, when he started work on an opera, The Building of the Boat. It was a visit to Bayreuth that caused him to abandon work on this, but the prelude survived as one of his most perfect pieces: The Swan of Tuonela. Its striking economy of expression and intensity are characteristics shared by much of his incidental music for the stage. In his stage music, Sibelius tends not so much to accompany dramatic action but to set scenes, create atmosphere or provide a prelude or intermezzo to the action for what were predominantly exotic or mystical dramas. -------------------- "This is an absolutely super Sibelius program containing a well-chosen selection of some of his finest theater music." Classics Today Star Ledger of New Jersey 4 Stars "...a jewel in the Linn crown..." more >> Audiophile Audition 4 Stars exotic and colorful more >> International Record Review Linn's engineering is top notch more >> The Dominion Post 4½ Stars a fascinating programme and beautifully judged playing more >> The Daily Telegraph playing that is both crisp and charged with the underlying drama more >> Klassik.com 4 Stars more >> ClassicsToday.com 5 Stars An easy and enthusiastic recommendation! more >>

 

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