Nominacje GRAMMY 2019 Ostatnio dodane płyty w kategorii: Nominacje GRAMMY 2019 https://ccd.pl/ Sat, 14 Dec 2019 03:59:34 Europe/Warsaw 14400 pl Club CD Club CD Online https://ccd.pl/images/website-logo-big.png https://ccd.pl/ 142 107 <![CDATA[ TCHAIKOVSKY - The Orchestral Organ]]> https://ccd.pl/tchaikovsky-the-orchestral-organ-p1184/ <img src='https://ccd.pl/covery/RR145SA.jpg' width='200' align='left' hspace='4' vspace='2'> <strong>Sonic Splendor! Amazing organ performances give new dimensions to beloved orchestral favorites.]]></strong> <hr>Best Immersive Audio Album Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers for The Orchestral Organ, Jan Kraybill, organist Best Classical Instrumental Solo The Orchestral Organ, Jan Kraybill, organist In the 19th and early 20th century, organists of exceptional artistic skill developed organ transcriptions of orchestral music into a true art form. Each of the works on this disc is spectacular in its original form. To create The Orchestral Organ, we have chosen works of many different composers, adapted into organ transcriptions of the highest artistic order. These transcriptions are not intended for comparison with, or replacement of, the original orchestral versions. In presenting them we are offering fascinating new dimensions for these compositions, whether familiar or new to the listener. Within the pieces are a variety of tone colors and compositional details that exhibit the remarkable abilities of organist Jan Kraybill, and showcase the spectacular Julia Irene Kauffman Casavant Organ at the Kauffman Center’s Helzberg Hall in Kansas City. Dr. Jan Kraybill is a musical leader, performer, educator, organ consultant, and enthusiastic advocate for the power of music to change lives for the better. She is Organ Conservator at the Kauffman Center for the Performing Arts in Kansas City, Missouri, and Organist-in-Residence at the international headquarters of Community of Christ in Independence, Missouri. In these roles she plays and oversees the care of three of the Kansas City metro area’s largest pipe organs: the 113-rank Aeolian-Skinner and 102-rank Casavant organs in Community of Christ’s Auditorium and Temple, and the 102-rank Julia Irene Kauffman Casavant at the Kauffman Center’s Helzberg Hall, where The Orchestral Organ was recorded. Dr. Kraybill has performed as a soloist, collaborative artist, and hymn festival designer/leader in many venues in the U.S. and in Australia, Belgium, Canada, Denmark, France, Germany, Poland, Russia, South Korea, Tahiti, The Netherlands, and The United Kingdom. She has been featured at regional and national conventions of the American Guild of Organists, the Hymn Society, and other musicians’ organizations; and on American Public Media’s Pipedreams and other broadcasts. This is her third album release with Reference Recordings. Extra notes Bonus Track Two different transcriptions of Verdi’s Grand March from Aïda were recorded by Jan Kraybill for The Orchestral Organ project. Track 11 on the album features the 1885 organ transcription by Harry Rowe Shelley (1858-1947). This bonus track features the 1931 organ transcription by Edwin Henry Lemare (1865-1934):...]]> <![CDATA[ SANDER - The Divine Liturgy of St. John Chrysostom]]> https://ccd.pl/sander-the-divine-liturgy-of-st-john-chrysostom-p182424/ <img src='https://ccd.pl/covery/FR731.jpg' width='200' align='left' hspace='4' vspace='2'> <strong></strong> <hr>Best Choral Performance Kurt Sander: The Divine Liturgy of St. John Chrysostom, PaTRAM Institute Singers, Peter Jermihov, conductor Reference Recordings is very pleased to present the second release in our series from the PaTRAM Institute, rising stars whose debut album on our label, Chesnokov: Teach Me Thy Statutes (FR­727SACD), has recently garnered a GRAMMY® nomination for Best Choral Performance. The music performed on this new recording of Russian Orthodox choral music in the English language was written by Dr. Kurt Sander. Conductor Peter Jermihov writes: “The Liturgy of St. John Chrysostom by Kurt Sander is unique in several respects. Within the body of repertoire contained in the Russian-based jurisdictions of North America (Moscow Patriarchate, Russian Orthodox Church Outside of Russia, and the Orthodox Church in America), it is the first and only complete setting of the Liturgy of St. John Chrysostom in English. Rooted in the 19th Century Russian models of such masters as Tchaikovsky, Rachmaninoff, Gretchaninoff, and others, Sander’s Liturgy grows out of the monumental choral edifices of these masters and rightfully belongs in their midst.” The Divine Liturgy of St. John Chrysostom is performed by the PaTRAM Institute Singers, a highly professional group of Russian and American male and female vocalists, joined by soloists Evan Bravos, Keven Keys, Protodeacon Vadim Gan, Glenn Miller, and Daniel Shirley. PaTRAM Institute Singers and Reference Recordings are planning several more CD releases over the next 5 years with Dr. Peter Jermihov as artistic director and conductor. Alexis and Katherine Lukianov, Cofounders of PaTRAM Institute state: “The Patriarch Tikhon Russian American Music Institute strives to present Orthodox sacred music in its highest possible form, uniting deep spirituality, a profound love for the rich traditions of Orthodox Christian singing, and an uncompromising standard of musical professionalism rooted in the great traditions of Russian choral composers. In addition, we seek out unique church venues for our recordings to couple the music with an acoustically rich, Orthodox Worship environment. We trust that the listener will thoroughly enjoy the merits of this important and beautiful new Divine Liturgy delivered in English by Drs. Sander and Jermihov and our talented artists in the New Gracanica Church.” Extra notes This release was recorded and mastered by the team at Soundmirror, whose outstanding orchestral, solo, opera and chamber recordings have received more than 100 Grammy® nominations and awards. For over 40 years, Soundmirror has recorded for every major classical record label, including Reference Recordings. Reviews: “The results are nothing short of breathtaking! Attempts to describe music in words can never successfully convey what ultimately can only be expressed by musical sounds. Nonetheless, Kurt Sander’s new Divine Liturgy is a musical phenomenon that merits being written about if for n...]]> <![CDATA[ BRUCKNER - Symphony No. 9]]> https://ccd.pl/bruckner-symphony-no-9-p190244/ <img src='https://ccd.pl/covery/FR733SA.jpg' width='200' align='left' hspace='4' vspace='2'> <strong></strong> <hr>Best Engineered, Classical Mark Donahue, engineer and mastering engineer for Bruckner: Symphony No. 9, Pittsburgh Symphony Orchestra, Manfred Honeck, conductor Best Orchestral Performance Bruckner: Symphony No. 9, Pittsburgh Symphony Orchestra, Manfred Honeck, conductor Producer of the Year, Classical Dirk Sobotka for Bruckner: Symphony No. 9, Pittsburgh Symphony Orchestra, Manfred Honeck, conductor Reference Recordings proudly presents this iconic work in a new and definitive interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra, in superb audiophile sound. This hybrid SACD release was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra. In his deeply personal and scholarly music notes, Maestro Honeck gives us great insight into the history and the musical structure of Bruckner’s final composition, and describes how he conducts and interprets this masterwork. To conclude his notes he quotes Bruckner biographer Max Auer: “The Ninth Symphony surpasses all its predecessors in sublimity and consecration. If Arthur Schopenhauer describes the arts as an image of an idea, but music as an idea in itself, then Bruckner’s swan song, his Ninth Symphony, appears to us as the idea of the beyond, of the deity itself. Already from the very beginning of the richly structured first movement, one feels surrounded by the twilight light of a Gothic cathedral—a mood that releases us from the heaviness and fatigue of matter and leads us to the afterlife.” This release is the ninth in the highly acclaimed Pittsburgh Live! series of multi-channel hybrid SACD releases on the FRESH! series from Reference Recordings. This series has received GRAMMY® Nominations in 2015, 2016, 2018 and 2019. Its recording of Shostakovich’s Symphony No.5 /Barber Adagio for Strings won the 2018 GRAMMY® Awards for Best Orchestral Performance and Best Engineered Classical Album. The Pittsburgh Symphony Orchestra, known for its artistic excellence for more than 120 years, is credited with a rich history of the world’s finest conductors and musicians. Past music directors have included many of the greats, including Fritz Reiner, William Steinberg, Andre Previn, Lorin Maazel and Mariss Jansons. This tradition of outstanding international music directors was furthered in fall 2008, when Austrian conductor Manfred Honeck became music director of the Pittsburgh Symphony. The Pittsburgh Symphony Orchestra has been at the forefront of championing new American works, including recent commissions by Mason Bates, Jonathan Leshnoff, James MacMillan and Julia Wolfe. The orchestra premiered Leonard Bernstein’s Symphony No. 1 “Jeremiah” in 1944 and John Adams’ Short Ride in a Fast Machine in 1986. The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and live radio broadcasts dating back to the 1930s. And, with a distinguished history of touring both domestically and overseas since 1900—including more than 3...]]>