Hit Dnia - Klasyka, Jazz oraz...

Big Brother & Thew Holding Company - Cheap Thrills

Crosby, Stills & Nash - Crosby, Stills & Nash

PREMIERA ]]>

Dire Straits - On the Night

Nat King Cole - Spanish Flowers

Rene Bishop - A Perfect Gentelman

Kevyn Lettau - Police

THE POLICE]]>

Płyty XRCD - DO ODTWORZENIA W KAŻDYM TYPIE CZYTNIKA CD i DVD . Gwarantują niespotykaną wcześniej analogową jakość brzmienia, znakomitą scenę i wyjątkową przejrzystość oraz kolorystykę dźwięku.

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John Coltrane - Soultrane

Only the 1st 1,000 Copies Are Numbered!

Mastered by Kevin Gray & Cut from the Original Mono Master Tapes!
Pressed at Quality Record Pressings & Plated by Gary Salstrom!

This album continued the reinforcement of Coltrane’s importance as a stylist. As in Coltrane and John Coltrane and the Red Garland Trio, his first two albums as a leader for Prestige, the material in Soultrane is away from the ordinary. The Garland–Paul Chambers–Arthur Taylor rhythm section is a perfect accompanying unit for Trane who, by this time, was acknowledged to be — along with Sonny Rollins — one of the two most influential tenor saxophonists in jazz.

Soultrane opens with an exploration at length of "Good Bait," a Tadd Dameron-Count Basie collaboration, first recorded by Dizzy Gillespie in the 1940s. The way Coltrane plays the turns in the melody gives it a slight minuet flavor, complimented by solos by Garland and Chambers in the same, solid groove. "I Want To Talk About You" is a ballad written and originally recorded by Billy Eckstine in the mid-1940s. It’s entirely new to jazz interpretation.

Side Two opens with a Joe Stein-Leo Robin tune, "You Say You Care," never heard before this in a jazz context. Trane makes the most of chord changes in a swinging, medium-up setting. "Theme For Ernie" is a smoldering ballad dedicated by Philadelphian Freddie Lacey to Ernie Henry, the ex-Gillespie alto saxophonist who died suddenly in December 1957. Red begins the final track "Russian Lullaby" with an out-of-tempo introduction before Coltrane comes ripping in. Taking this and Coltrane’s prior interpretation of "Soft Lights And Sweet Music," it seems as though the boys like to play their Irving Berlin at high velocity.

Because of the astounding Coltrane solo works that both precede and follow Soultrane — most notably Lush Life and Blue Train — All Music Guide says this album has "perhaps not been given the exclusive attention it so deserves." ...]]>

GERSHWIN - Rhapsody in Blue / An American in Paris

25 Premier-Sounding Titles from RCA's Living Stereo Golden Era Available on 180g LP (Cut at 33 1/3) & Hybrid SACD (Most Will Be 3-Channel) Remastered from the Original 2 and 3 Track Master Tapes & Recut by Engineer Ryan Smith at Sterling Sound in New York RCA's "golden age" was more like a "golden minute" - in a scant period, roughly from 1958 to 1963, the beginning of the stereo era - pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination. With Rhapsody in Blue, George Gershwin, a popular songwriter, established himself as a serious composer. His American in Paris tells the story of a trip through the streets and cafes of France. A first rate orchestra (The Boston Pops), a distinguished conductor (Arthur Fiedler), and a superb pianist (Earl Wild) combine to make this recording something to be treasured! Pressed at Quality Record Pressings and plated by Gary Salstrom. Packaged in the original tip-on jacket facsimiles that precisely duplicate the original cover art, including the "Living Stereo" logo, LSC numbers and "Shaded Dog" label. These reissues are designed from the mastering, to the cutting, to the pressing and packaging to be the finest RCA Living Stereo LPs ever reissued. These new versions are clearer than the originals and warmer and richer than past reissues! "This reissue cut by Ryan K. Smith from the original 3 track beats every original I have (four) in every way. It peels back layers of murk without adding brightness or spotlighting or anything bad. Instead, it's as if layers of dust and dirt have been expertly cleaned away revealing a fresh, clear window onto the live musical event. "...(Earl) Wild's piano has never sounded as cleanly rendered or as well-focused. You'll see it as clearly as the skyscrapers. The finale has never packed such a ferocious wallop either...With records like this coming out, audiophiles who declare flatly that reissues never sound as good as originals skate further and further onto the thin ice. If you intend to own but a single classical record in your collection, make it this one." - Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com" >>> Płyty winylowe należy przechowywać WYŁĄCZNIE w NAJLEPSZYCH NA ŚWIECIE koszulkach produkcji legendarnej wytwórni MOBILE FIDELITY. 100% gwarancji na pozbycie się trzasków będących w istocie w 90% efektem ładunków elektrostatycznych a nie uszkodzeń mechanicznych płyty! <<<

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