Jeffrey Skidmore's reading pushes the unique structure of Peerson's paragraphs into the foreground: large-scale dynamic contouring, leisurely tempos and subtle shifts in balance creates a spacious framework in which the composer's large structures emerge. The Ex Cathedra Consort triumphs beautifully over the vocal challenges of this music with its pellucid upper voices, restrained yet robust basses, and attention to textual detail this reconstruction of Peerson, enhanced by excellent sound engineering, manages to reveal a master at work' (BBC Music Magazine)