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KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
PAER, Jennifer Larmore, Paul Nilon, Rebecca Evans, The Philharmonia Orchestra, Marco Guidarini
Sofonisba
ZamknijGaleria okładek
- Marco Guidarini - Sofonisba
- 01. Introduzione - O dell'armi gran Nume possente (2:09)
- 02. Introduzione - Infelice! Ahi! chi mi dice (2:57)
- 03. Introduzione - Viva l'Eroe Numida (3:01)
- 04. Aria (Massinissa) - Amo un volto lusinghiero (2:58)
- 05. Aria (Massinissa) - Vuoi ch'io vadain mezzo al campo (5:55)
- 06. Aria (Sofonisba) - Io saprei con alma forte ... Ah! la patria ho sol nel core (6:53)
- 07. Terzetto Finale - Una soave calma (4:01)
- 08. Terzetto Finale - Perfidi indegni! moglie infida! (2:54)
- 09. Terzetto Finale - Caro sposo, io t'amo ancora (4:13)
- 10. Duetto (Sofonisba - Siface) - Or vorrai ferirmi, ingrato? (3:39)
- 11. Duetto (Sofonisba - Siface) - Anche in mezzo alle mie pene (2:21)
- 12. Quartetto - La virtù del Roman Duce (4:15)
- 13. Quartetto - Dopo fiera e rea tempesta (3:08)
- 14. Aria (Siface) - Da tanto duolo e spasimo (4:12)
- 15. Aria (Siface) - Vado a svenar quel perfido (3:21)
- 16. Aria (Siface) - Possente Nume Armigero (2:47)
- 17. Scena - O bellicoso dio, del tuo gran tempio (4:22)
- 18. Ah, consorte! Ah, figlio! addio (3:35)
- 19. Se la patria a me diè vita (3:37)
- 20. Finale - Grande Eroe! Pentito io sono (2:53)
- Jennifer Larmore - soprano
- Paul Nilon - tenor
- Rebecca Evans - soprano
- The Philharmonia Orchestra - orchestra
- Marco Guidarini - conductor
- PAER
Highlights
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This disc represents the fourth release in Opera Rara’s increasingly popular and critically praised Essential Opera Rara series. It is generally acknowledged that Rossini’s arrival on the musical scene changed the face of Italian opera. Everyone imitated him and his fresh approach to opera. But what was Italian opera like prior to this renaissance? Operas were being written but composers were still working with 18th century tools. While denying neither the genius of Rossini nor his position in the Romantic Movement in Italian opera, composers such as the Bavarian Giovanni Simone Mayr and the Parma-born Ferdinando Paer were already reshaping the operatic traditions laid down by Haydn and Mozart. Sofonisba, a classical heroine portrayed by various 17th and 18th century composers, becomes, in Paer’s hands, a more realistic figure – a real woman. When circumstances turn against her she takes poison and it is here that Paer seizes the opportunity for something exceptional. The emotionally charged, multi-movement final scene for Sofonisba was something audiences had never encountered before. The impact of these performances of Sofonisba was not lost on Rossini – the opera was revived 15 years later in Naples for his wife, the great Isabella Colbran. In a period when audiences demanded only new operas it seems an extraordinary testament to the innovations of Ferdinando Paer. Uczestnicy nagrania: Jennifer Larmore (Sofonisba), Paul Nilon (Siface), Rebecca Evans (Massinissa), Mirco Palazzi (Scipione), Colin Lee (Lelio), Lucy Crowe (Osmida). Philharmonia Orchestra, Geoffrey Mitchell choir, Marco Guidarini - conductor