Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
MONTEVERDI, The King's Consort, Robert King
The Sacred Music, Vol. 1
- 1 Dixit Dominus I a 8 voci concertato 1640 [9:48]
- 2 Confitebor tibi I a 3 voci con 5 altre voci ne ripieni 1640 [8:36]
- 3 Beatus vir I a 6 voci concertato 1640 [7:42]
- 4 Laudate pueri I a 5 concertato [7:06]
- 5 Laudate Dominum omnes gentes a 5 concertato 1640 [4:37]
- 6 Christe redemptor omnium 'Himnus unius Martyris' 1640 [4:05]
- 7 Magnificat I a 8 voci 1640 [13:43]
- Messa a 4 da Cappella 1640
- 8 Movement 1: Kyrie [2:35]
- 9 Movement 2: Gloria [3:37]
- 10 Movement 3: Credo [5:46]
- 11 Movement 4: Sanctus [2:05]
- 12 Movement 5: Benedictus [1:34]
- 13 Movement 6: Agnus Dei [3:24]
- The King's Consort - orchestra
- Robert King - conductor
- MONTEVERDI
'The King's Consort shows cpmplete affinity with both the dramatic and the lyrical aspects of Monteverdi's style. No ensemble could be better suited to this magnificent undertaking.' (Daily Telegraph} 'This is life-enhancing stuff, breathtakingly exciting at times, exquisitely beautiful at others. If King and his forces maintain the standard they set here, this series is surely set to be the definitive representation of Monteverdi on disc.' (BBC Music Magazine) '...one of the glories of the new disc is the gloriously full-toned and marvelously projected singing of his two sopranos, Carolyn Sampson and Rebecca Outram...A further distinct plus is Hyperion's superb engineering, which presents the performances with glowing, yet sharply defined immediacy' (Fanfare) '...a highly successful opening instalment.' (Goldberg Early Music Magazine)