Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Keith Jarrett
The Melody at Night, With You
- 1. I Loves You, Porgy (Gershwin/Gershwin/Heyward) - 5:50
- 2. I Got It Bad (And That Ain't Good) (Ellington/Webster) - 7:10
- 3. Don't Ever Leave Me (Hammerstein/Kern) - 2:47
- 4. Someone to Watch over Me (Gershwin/Gershwin) - 5:05
- 5. My Wild Irish Rose (Traditional) - 5:21
- 6. Blame It on My Youth/Meditation (Heyman/Jarrett/Levant) - 7:19
- 7. Something to Remember You By (Dietz/Schwartz) - 7:15
- 8. Be My Love (Brodszky/Kahn) - 5:38
- 9. Shenandoah (Traditional) - 5:52
- 10. I'm Through With Love (Kahn/Livingston/Malneck) - 2:56
- Keith Jarrett - piano
This is a strangely moving and disturbing document in the long discography of Keith Jarrett: a solo piano album recorded in his rural New Jersey home studio in late 1997 at a time when he was reportedly suffering from chronic fatigue syndrome. In stark contrast to his other solo albums, this one consists of short, simple, straightforward interpretations of ballads, songs in the public domain, and one very pretty original ("Meditation"), all taken at funereal tempi with hardly any virtuoso flourishes. Scattered amidst the assortment of standards like "Someone to Watch Over Me," "I Got It Bad and That Ain't Good," and "I Loves You Porgy" are nostalgic throwbacks like the hoary old "My Wild Irish Rose" (he plays the tune absolutely straight) and even the Mario Lanza hit "Be My Love." Sad as it is to say under the circumstances, these performances lack color, contrast and life; and while you pull for Jarrett to summon the energy to make music again, the results are touching for awhile but soon pall. Also in contrast to Manfred Eicher's usual sonic standard at ECM, the sound is dull and lacking in luster, though some listeners might find that it gives the album a certain homey charm. ? Richard S. Ginell
