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HAYDN, Martin Pearlman, Boston Baroque

The Creation - Die Schopfung

Boston Baroque - Haydn: The Creation 01. Part 1, Prelude - ‘Die Vorstellung des Chaos’ (5:09) 02. Part 1, No. 1, Recitativ mit Chor - ‘Im Anfange schuf Gott Himmel und Erde’ (2:29) 03. Part 1, No. 2, Arie mit Chor - ‘Nun schwanden vor dem heiligen Strahle’ (3:34) 04. Part 1, No. 3, Recitativ - ‘Und Gott machte das Firmament’ (1:52) 05. Part 1, No. 4, Solo mit Chor - ‘Mit Staunen sieht das Wunderwerk’ (1:50) 06. Part 1, No. 5, Recitativ - ‘Und Gott sprach: Es sammle sich das Wasser’ (0:38) 07. Part 1, No. 6, Arie - ‘Rollend in schaumenden Wellen’ (3:48) 08. Part 1, No. 7, Recitativ - ‘Und Gott sprach: Es bringe die Erde Gras hervor’ (0:28) 09. Part 1, No. 8, Arie - ‘Nun beut die Flur das frische Grun’ (4:42) 10. Part 1, No. 9, Recitativ - ‘Und die himmlischen Heerscharen’ (0:10) 11. Part 1, No. 10, Chor - ‘Stimmt an die Saiten’ (2:01) 12. Part 1, No. 11, Recitativ - ‘Und Gott sprach: Es sei'n Lichter an der Feste’ (0:32) 13. Part 1, No. 12, Recitativ - ‘In vollem Glanze steiget jetzt ‘ (2:38) 14. Part 1, No. 13, Terzett mit Chor - ‘Die Himmel erzahlen die Ehre Gottes’ (4:03) 15. Part II, No. 14, Recitativ - ‘Und Gott sprach: Es bringe das Wasser’ (0:26) 16. Part II, No. 15, Arie - ‘Auf starkem Fittiche schwinget sich’ (7:01) 17. Part II, No. 16, Recitativ - ‘Und Gott schuf grosse Walfische’ (2:07) 18. Part II, No. 16, Recitativ - ‘Und Gott schuf grosse Walfische’ (0:21) 19. Part II, No. 18, Terzett mit Chor - ‘In holder Anmut stehn, mit jungem Grun’ (6:23) 20. Part II, No. 19, Recitativ - ‘Und Gott sprach: Es bringe die Erde hervor’ (0:23) 21. Part II, No. 20, Recitativ - ‘Gleich offnet sich der Erde Schoss’ (2:57) 22. Part II, No. 21, Arie - ‘Nun scheint in vollem Glanze der Himmel’ (3:03) 23. Part II, No. 22, Recitativ - ‘Und Gott schuf den Menshen’ (0:32) 24. Part II, No. 23, Arie - ‘Mit Wurd' und Hoheit angetan’ (3:26) 25. Part II, No. 24, Recitativ - ‘Und Gott sah jedes Ding’ (0:24) 26. Part II, No. 25, Terzett mit Chor - ‘Zu dir, o Herr, blickt alles auf’ (8:27) Boston Baroque - The Creation 01. Part III, No. 30 - Recitativ: ‘Aus Rosenwolken bricht’ (3:55) 02. Part III, No. 31 - Duett mit Chor: ‘Von deiner Gut', o Herr und Gott’ (9:07) 03. Part III, No. 32 - Recitativ: ‘Nun ist die erste Pflicht erfullt’ (2:30) 04. Part III, No. 33 - Duett: ‘Holde Gattin, dir zur Seite’ (8:00) 05. Part III, No. 34 - Recitativ: ‘O glucklich Paar, und glucklich immerfort’ (0:21) 06. rt III, No. 35 - Chor: ‘Singt dem Herrn alle Stimmen’ (3:28)
  • Martin Pearlman - conductor
  • Boston Baroque - orchestra
  • Amanda Forsythe - soprano
  • Keith Jameson - tenor
  • Kevin Deas - bass-baritone
  • HAYDN
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129.00 PLN

2 SACD Multi-CH HDCD:

Nr kat.: CKD401
Label  : Linn Records

Najbardziej radosna wersja, jaką znam!

‘Thoughtful, sensitive, stylish and joyous.’ Gramophone ‘Boston Baroque plays magnificently...with great fervor...and great delicacy.’ Opera News Boston Baroque, conducted by Martin Pearlman recorded Haydn's masterpiece at Mechanics Hall in Worchester, Massachusetts. The soloists Amanda Forsythe soprano, Keith Jameson tenor and Kevin Deas bass-baritone joined the ensemble for the performance of Haydn's crowning achievement. The Creation remains one of the greatest works in the choral repertoire and has been astonishing audiences since its premiere in 1798. The ensemble's previous performances of The Creation have received rave reviews, with the Boston Globe stating: ‘Boston Baroque performed [Haydn's Creation] with vibrant color and a fleet momentum...and made it a vivid, effervescent occasion.' • The three-time Grammy-nominated ensemble, widely regarded as ‘one of the world’s premier period-instruments bands’ (Fanfare), will mark the beginning of its relationship with Linn with a recording of Haydn’s The Creation. • Soloists Amanda Forsythe soprano, Keith Jameson tenor and Kevin Deas bass-baritone will join the ensemble and conductor Martin Pearlman for the performance of Haydn’s crowning achievement. • The Creation remains one of the greatest works of choral repertoire and has been astonishing audiences since its premiere in 1798. • The ensemble’s previous performances of The Creation have received rave reviews, with the Boston Globe stating: ‘Boston Baroque performed [Haydn’s Creation] with vibrant color and a fleet momentum…and made it a vivid, effervescent occasion.’ • Founded in 1973 by Martin Pearlman, Boston Baroque is already familiar to an international audience with its critically acclaimed catalogue of recordings. • Boston Baroque's recordings—of which Fanfare magazine wrote ‘each one is an incomparable gem’—are heard by millions on classical radio stations in North America and Europe. • Boston Baroque's many career milestones include the American premiere of Rameau's Zoroastre; a Mozart opera series including Marriage of Figaro, Così fan tutte, and the American period-instrument premieres of Mozart's Don Giovanni and The Magic Flute; and a revelatory exploration of the Beethoven symphonies on period instruments. Classics Today
'This orchestra conveys Haydn's colorful score as well as any, and this chorus is second to none for its unbridled energy and uncommonly articulate delivery.'
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Audiophile Audition
5 Stars
'...the results are spectacular.'
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Musical Pointers
'enjoyable and convincing'
more >> The SACD layer is both 5.1 channel and 2-channel. The Studio Master files are 192kHz or 96kHz / 24-bit.

 

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