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Harry Belafonte and his band

Belafonte at Carnegie Hall

Harry Belafonte - Belafonte at Carnegie Hall 01. Introduction / Darlin' Cora (4:03) 02. Sylvie (4:54) 03. Cotton Fields (4:17) 04. John Henry (5:12) 05. The Marching Saints (2:50) 06. Day-O (3:40) 07. Jamaica Farewell (5:09) 08. Mama Look a Boo Boo (5:22) 09. Come Back Liza (3:07) 10. Man Smart (Woman Smarter) (4:23) 11. Hava Nageela (4:03) 12. Danny Boy (5:22) 13. Cu Cu Ru Cu Cu Paloma (3:47) 14. Shenandoah (3:49) 15. Matilda (11:27)
  • Harry Belafonte and his band - group
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UltraHD PR:


UltraHD 32 BIT - PureFlection

Numbered, Limited Edition Ultra High Definition 32-Bit Mastering Import CDs Produced Using PureFlection Process! This Ultra HD 32-Bit Mastering CD will play on ALL CD players!

You can count on one hand the number of times recording microphones happen to be "on the scene" at the right time and the right place to capture an inspired moment of performance. This is one of those few.

What started as an almost reckless recording risk turned into another giant statement in the Belafonte story. The idea of taping the two Carnegie Hall Benefit performances was not Harry's; we asked for it, part hunch, part wild gamble.

Recording hazards were many - immense preparations and permissions with musicians, stage hands and the hall - microphoning a performer who roamed all over the stage, shouted, whispered, provoked audience singing - accompaniments which varied from a 47-piece symphony to a single guitar and bongos - and, above all, the one-time-only chance for a good pickup and performance.

What happened April 19th and 20th is historic even at Carnegie. There are always ways of explaining and analyzing after the fact. There must have been a special performance challenge in Belafonte's first Carnegie Hall program, for example. There was also the sharp exhilaration for soloist and audience sharing the same emotional setting: a huge house packed two nights in a row for a splendid charity. Each song was a familiar and famous high spot from a remarkable career.

All of these undoubtedly added their impetus and made this concert soar. The exciting fact is that we can actually hear it as it happened. Belafonte's spontaneous sorcery with an audience is on disc for the first time. Through the expectant audience hush, the beating introduction, the opening shots of Darlin' Cora, the Belafonte high voltage mounts by the moment. This is Belafonte 'live'.

...All Carnegie Hall sings and rocks - the same mighty crescendo which took place at a packed Waldorf Ballroom, Lewisohn Stadium and personal appearances everywhere. But this time for all of us via microphone and tape machine.

There has been no re-recording of rehearsals or second tries, no splicing (there rarely is even on Belafonte studio performances). This is what actually happened. The same songs were programmed both evenings... - From Recording notes by Bob Boliard A Better CD Production Process - The Pure Reflection (PureFlection) Process:
FIM UHD CDs now sound undeniably better than ever! FIM's first priority is to locate a factory that at offers the latest technologies throughout its entire production chain, from the best A-grade polycarbonate materials, to testing and accurate quality control tools. The factory must produce a detailed specification sheet which ensures the discs produced demonstrate the same quality as the original recording.

To assure us of the best results, FIM has enlisted the help of one of the most experienced mastering engineers in the industry to craft the glass disc for the final replication process. Winston Ma continually maintains close rapport with him, as well as the original recording engineers, the mastering engineers and the manufacturer to achieve consensus regarding musicality and the sound spectrum.

FIM's glass mastering-disc engineer maintains expertise in the latest technologies: he currently uses a special blu-ray recordable mastering thermal process technique to create small smooth grooves which result in precision fidelity. He is meticulous in ensuring the best track pitch and the distance between the spiral of the pits, to reduce the amount of noise the tracking servo in the drive picks up from adjacent tracks, thus ensuring the best parameters on Cross Talk (XT) by minimizing the servo noise of the Drive during playback of the replica results.

To further ensure the best quality, FIM stipulates the most extensive test specification requirements. Pure Reflection (PureFlection) discs show in every CD booklet the full spectrum of specification of a given CD in the following categories:

BLER (17 items), BERL (9 items), Physical (6 items), Jitter (6 items), E22 Graph and BLER Graph

The concept of UHD 32-Bit PureFlection is the transformation of a superior sound into something truly exceptional, enhancing the experience without interfering in it. Sit back, relax and listen to the new sound of a UHD 32-Bit PureFlection CD!

Ultra High Definition 32-Bit Mastering!
Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system.

Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements.

Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing.


>>> Płyta do odtworzenia w każdym typie czytnika CD i DVD. Technologia PureFlection, bazująca na sposobie produkcji glasmasterów nie dotychczasową, tradycyjną metodą przed odcisk, ale z wykorzystaniem procedury tworzenia matrycy Bluray, w niespotykanym dotychczas stopniu pozwala precyzyjnie odwzorować walory taśmy-matki. Do absolutnego minimum ograniczone zostały typowe dla dotychczasowych metod produkcji CD błędy (m.in. jitter). Zdaniem Winstona Ma - połączenie technlologii UltraHD i metody PurreReflection to obecnie najwyższy na świecie poziom produkcji płyt CD.<<<


 

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