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HANDEL, Robert King, The King's Consort

Joseph and his Brethren

  • Joseph and his brethren
  • CD1
  • 1 Part 1 Overture: Andante – Larghetto – Allegro – Menuet [6:55]
  • 2 Part 1 Scene 1. Air: Be firm, my soul! nor faint beneath (Joseph) [5:33]
  • 3 Part 1 Scene 2 No 1. Recitative: Joseph, thy fame has reach'd great Pharaoh's ear (Phanor/Joseph) [0:46]
  • 4 Part 1 Scene 2 No 2. Air: Come, divine inspirer, come (Joseph) [5:05]
  • 5 Part 1 Scene 2 No 3. Recitative: Pardon, that I so long forgot thee, Joseph! (Phanor/Joseph) [0:54]
  • 6 Part 1 Scene 2 No 4. Air: Ingratitude's the queen of crimes (Phanor) [2:14]
  • 7 Part 1 Scene 3 No 1. Recitative: Thus, stranger, I have laid my troubled thoughts (Pharaoh/Joseph) [0:40]
  • 8 Part 1 Scene 3 No 2. Chorus: O God of Joseph, gracious shed thy spirit on thy servant's head (Egyptians) [1:45]
  • New College Choir Oxford, King's Consort Choir
  • 9 Part 1 Scene 3 No 3. Accompagnato: Pharaoh, thy dreams are one (Joseph) [2:25]
  • 10 Part 1 Scene 3 No 4. Recitative: Divine interpreter! What oracle (Pharaoh/Joseph) [0:39]
  • 11 Part 1 Scene 3 No 5. Air: O lovely youth, with wisdom crown'd (Asenath) [4:01]
  • 12 Part 1 Scene 3 No 6. Recitative: Wear, worthy man, this Royal signet wear (Pharaoh) [0:33]
  • 13 Part 1 Scene 3 No 7. Chorus: Joyful sounds, melodious strain! (Egyptians) [2:57]
  • New College Choir Oxford, King's Consort Choir
  • 14 Part 1 Scene 4 No 1. Recitative: Whence this unwonted ardourin my breast? (Asenath) [0:23]
  • 15 Part 1 Scene 4 No 2. Air: I feel a spreading flame within my veins (Asenath) [7:16]
  • 16 Part 1 Scene 4 No 3. Recitative: Fair Asenath (Joseph/Pharaoh/Potiphera/Asenath)) [1:08]
  • 17 Part 1 Scene 5 No 1. Duet: Celestial virgin! Godlike youth! (Joseph/Asenath) [2:46]
  • 18 Part 1 Scene 5 No 2. Recitative: Now, Potiphera, instant to the temple (Pharaoh) [0:15]
  • 19 Part 1 Scene 5 No 3: Grand march during the procession [1:28]
  • 20 Part 1 Scene 6 No 1. Recitative: 'Tis done, – the sacred knot is tied (High Priest) [0:12]
  • 21 Part 1 Scene 6 No 2. Chorus: Immortal pleasures crown this pair (Egyptians) [2:19]
  • New College Choir Oxford, King's Consort Choir
  • 22 Part 1 Scene 6 No 3. Recitative: Glorious and happy is thy lot, O Zaphnath! (Pharaoh) [0:12]
  • 23 Part 1 Scene 6 No 4. Air: Since the race of time begun (Pharaoh) [2:25]
  • 24 Part 1 Scene 6 No 5. Chorus: Swift our numbers, swiftly roll (Egyptians) [2:39]
  • New College Choir Oxford, King's Consort Choir
  • CD2
  • 1 Part 2 Scene 1 No 1. Chorus: Hail, thou youth, by Heaven belov'd! (Egyptians) [4:18]
  • New College Choir Oxford, King's Consort Choir
  • 2 Part 2 Scene 1 No 2. Recitative: How vaast a theme has Egypt for applause! (Phanor/Asenath) [1:06]
  • 3 Part 2 Scene 1 No 3. Air: Our fruits, whilst yet in blowwom, die (Asenath) [4:07]
  • 4 Part 2 Scene 1 No 4. Recitative: He's Egypt's common parent, gives her bread (Phanor) [0:17]
  • 5 Part 2 Scene 1 No 5. Chorus: Blest be the man by pow'r unstain'd (Egyptians) [4:06]
  • New College Choir Oxford, King's Consort Choir
  • 6 Part 2 Scene 1 No 6. Recitative: Phanor, we mention not his highest glory! (Asenath/Phanor) [1:28]
  • 7 Part 2 Scene 1 No 7. Air: Together, lovely innocents, grow up (Asenath) [3:05]
  • 8 Part 2 Scene 1 No 8. Recitative: He then is silent, then again exclaims (Asenath) [0:37]
  • 9 Part 2 Scene 2 No 1. Accompagnato: Where are these brethren … why this base delay? (Simeon) [1:56]
  • 10 Part 2 Scene 2 No 2. Air: Remorse, confusion, horror, fear (Simeon) [1:55]
  • 11 Part 2 Scene 3 No 1. Recitative: This Hebrew prisoner (Phanor/Joseph) [0:34]
  • 12 Part 2 Scene 3 No 2. Accompagnato: Ye departed hours (Joseph) [2:03]
  • 13 Part 2 Scene 3 No 3. Air: The peasant tastes the sweets of life (Joseph) [7:45]
  • 14 Part 2 Scene 3 No 4/Scene 4 No 1. Recitative: But Simeon comes (Joseph/Simeon) [3:42]
  • 15 Part 2 Scene 4 No 2. Air: Impostor! Ah! my foul offence (Simeon) [2:56]
  • 16 Part 2 Scene 5 No 1. Recitative: Whence, Asenath, this grief that hangs upon thee (Joseph/Asenath) [0:44]
  • 17 Part 2 Scene 5 No 2. Air: The silver stream, that all its way (Asenath) [4:52]
  • 18 Part 2 Scene 5 No 3/Scene 6 No 1. Recitative: Tell me, O tell me thy heart's malady (Asenath/Joseph/Phanor/Judah) [1:26]
  • 19 Part 2 Scene 6 No 2. Air: To keep afar from all offence (Judah) [3:42]
  • 20 Part 2 Scene 6 No 3. Chorus: Thus one, with ev'ry virtue crown'd (Brethren) [1:03]
  • New College Choir Oxford, King's Consort Choir
  • 21 Part 2 Scene 7 No 1. Accompagnato: Once more, O pious Zaphnath, at thy feet (Reuben/Judah) [1:38]
  • 22 Part 2 Scene 7 No 2. Recitative: This kiss, my gracious Lord (Benjamin/Joseph/Judah) [1:20]
  • 23 Part 2 Scene 7 No 3. Air: Thou deign'st to call thy servant 'son' (Benjamin) [2:23]
  • 24 Part 2 Scene 7 No 4. Recitative: Sweet innocence! divine simplicity! (Joseph/Benjamin/Reuben/Judah) [1:22]
  • 25 Part 2 Scene 7 No 5. Chorus: O God, who in thy heav'nly hand (Brethren) [4:14]
  • New College Choir Oxford, King's Consort Choir
  • CD3
  • 1 Part 3. Sinfonia: Allegro [1:28]
  • 2 Part 3 Scene 1 No 1. Recitative: What say'st thou, Phanor? Prove these strangers then (Asenath/Phanor) [0:27]
  • 3 Part 3 Scene 1 No 2. Air: The wanton favours of the great (Phanor) [1:34]
  • 4 Part 3 Scene 2 No 1. Recitative: Whence so disturb'd, my Lord? Let not the crime (Asenath/Joseph) [0:46]
  • 5 Part 3 Scene 2 No 2. Air: Ah Jealousy, thou pelican (Asenath) [4:39]
  • 6 Part 3 Scene 2 No 3. Recitative: O wrong me not! thy Zaphnath never harbour'd (Joseph/Asenath) [1:20]
  • 7 Part 3 Scene 2 No 4. Air: The people's favour, and the smiles of pow'r (Joseph) [3:28]
  • 8 Part 3 Scene 2 No 5. Recitative: Art thou not Zaphnath? Is not Egypt sav'd (Asenath) [0:25]
  • 9 Part 3 Scene 2 No 6. Air: Prophetic raptures swell my breast (Asenath) [7:27]
  • 10 Part 3 Scene 2 No 7/Scene 3/Scene 4 No 1. Recitative: They come, – and indignation in their looks (Joseph/Simeon/Phanor/Benjamin) [1:30]
  • 11 Part 3 Scene 4 No 2. Accompagnato: What! without me? Ah, how return in peace! (Benjamin) [0:52]
  • 12 Part 3 Scene 4 No 3. Arioso: O pity! (Benjamin/Joseph) [2:49]
  • 13 Part 3 Scene 4 No 4. Recitative: To prison with him! (Joseph/Simeon/Reuben) [1:50]
  • 14 Part 3 Scene 4 No 5. Arioso: O gracious God (Simeon) [1:15]
  • John Mark Ainsley (tenor)
  • 15 Part 3 Scene 4 No 6. Chorus: Eternal Monarch of the sky (Brethren) [3:16]
  • New College Choir Oxford, King's Consort Choir
  • 16 Part 3 Scene 5 No 1: But peace, Zaphnath returns (Simeon/Joseph/Judah) [1:50]
  • 17 Part 3 Scene 5 No 2. Air: Thou hadst, my Lord (Simeon) [1:58]
  • 18 Part 3 Scene 5 No 3. Recitative: Give, give him up the lad (Simeon) [0:56]
  • 19 Part 3 Scene 5 No 4. Recitative: I can no longer (Joseph/Brethren) [1:31]
  • 20 Part 3 Scene 6 No 1. Recitative: While the Nile and Memphis (Asenath/Joseph) [0:45]
  • 21 Part 3 Scene 6 No 2. Duet: What's sweeter than the new-blown rose (Asenath/Joseph) [2:54]
  • 22 Part 3 Scene 6 No 3. Recitative: With songs of ardent gratitude and praise (Joseph) [0:19]
  • 23 Part 3 Scene 6 No 4. Chorus: Alleluia. We will rejoice in thy salvation [2:01]
  • The King's Consort - orchestra
  • Robert King - conductor
  • HANDEL

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'I have no reservations about encouraging anyone interested in Handel to buy this set and to acquaint themselves with the many delights of this grossly neglected work' (Gramophone) 'A must for all dedicated Handelians' (Classic CD) 'Mi recomendación más absoluta … Tres horas de deleite musical que no se debe perder' (CD Compact, Spain) 'This is as fine a case as one could imagine being made for the work' (American Record Guide) 'Robert King and Hyperion can be more than satisfied with another fine addition to their steadily-increasing Handel discography' (Organists' Review) 'No lover of Handel should be without this wonderful work, now at last done justice on CD' (Hi-Fi News) 'With first-rate casts and careful attention to Handel's original texts, King has blown the dust off some magnificent music' (BBC Record Review) -------------------------------------------- Joseph and his Brethren, the latest in The King's Consort's mammoth series of recordings of the grand oratorios of Handel, tells the story of Joseph, sold into slavery by his perfidious brothers, winning acceptance at the court of Pharaoh in Egypt by his interpretation of the dreams foretelling seven years of plenty, and seven of famine. His brothers come from drought-ridden Israel to beg for food, and are eventually reunited with Joseph. The work is characteristically full of melodic invention and drama, culminating in the scene between Joseph and his youngest – and innocent – brother Benjamin (here sung by the stunning treble Connor Burrowes) in which Joseph is emotionally overcome and admits his true identity. No wonder the work was so warmly received at its first performance.