Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
SATIE, BARTOK, GRIEG, Chick Corea, Tommy Smith
Gymnopedie
- Tommy Smith - Gymnopedie
- 01. Satie - Gymnopedie (3:50)
- 02. Bartok - Bagpipe Music (1:17)
- 03. Satie - Gnossienne No.1 (4:23)
- 04. Corea - Children's Song No.7 (1:38)
- 05. Grieg - Arietta (3:28)
- 06. Corea - Children's Song No.6 (2:08)
- 07. Grieg - Notturno (4:19)
- 08. Bartok - Bulgarian Rhythm No.1 (0:55)
- 09. Satie - Gnossienne No.3 (4:40)
- 10. Satie - Je Te Veux (5:23)
- 11. Hall Of Mirrors - Sonata No.1 - Mirror Talk (6:49)
- Tommy Smith
- 12. Hall Of Mirrors - Sonata No.1 - The Looking Glass (3:10)
- 13. Hall Of Mirrors - Sonata No.1 - There is a Mirror Only You Can See (8:09)
- 14. Hall Of Mirrors - Sonata No.1 - Hologram (1:09)
- Dreaming with Open Eyes - Sonata No.2 -
- 15. Call of the Shaman (3:50)
- 16. The Promise and the Search (4:11)
- 17. A Heap of Broken Images? (1:54)
- 18. Journeys Home, Destination Unknown (9:19)
- Chick Corea - piano
- Tommy Smith - saxophone
- SATIE
- BARTOK
- GRIEG
The Scottish jazz saxophonist, composer and orchestra leader works frequently with the Scottish Chamber Orchestra, the BT Scottish Ensemble and pianist Murray McLachlan who accompanies him on this programme of music by Satie, Bartok, Grieg and the jazz pianist Chick Corea, tasty morsels which are appetisers for more substantial fare - Smith's two sonatas for saxophone and piano whose influences range from Prokofiev to the Norwegian saxophonist Jan Garbarek and songwriter Eubie Blake. Powerful yet lyrical works, they offer opportunities for improvisation and Smith employs a jazzman's expressive tone to haunting and thrilling effect. Inverness Courier
