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Schubert - Gerard Souzay, Dalton Baldwin

Favourite Lieder

  • CD 1
  • Franz Schubert,
  • Wilhelm Muller, lyricist(s)
  • Die schone Mullerin, Op. 25, D. 795
  • 1. No. 1. Das Wandern - 02:15 >>> MP3 <<<
  • 2. No. 2. Wohin - 02:02 >>> MP3 <<<
  • 3. No. 3. Halt! - 01:26 >>> MP3 <<<
  • 4. No. 4. Danksagung an den Bach - 02:20 >>> MP3 <<<
  • 5. No. 5. Am Feierabend - 02:29 >>> MP3 <<<
  • 6. No. 6. Der Neugierige - 04:13 >>> MP3 <<<
  • 7. No. 7. Ungeduld - 02:44
  • 8. No. 8. Morgengruss - 04:32
  • 9. No. 9. Des Mullers Blumen - 03:27
  • 10. No. 10. Tranenregen - 04:29
  • 11. No. 11. Mein! - 02:18
  • 12. No. 12. Pause - 05:04
  • 13. No. 13. Mit dem grunen Lautenbande - 01:55
  • 14. No. 14. Der Jager - 01:04
  • 15. No. 15. Eifersucht und Stolz - 01:30
  • 16. No. 16. Die liebe Farbe - 04:48
  • 17. No. 17. Die bose Farbe - 01:52
  • 18. No. 18. Trockne Blumen - 03:40
  • 19. No. 19. Der Muller und der Bach - 04:05
  • 20. No. 20. Des Baches Wiegenlied - 06:47
  • CD 2
  • Franz Schubert,
  • Schmidt von Lubeck, Georg Philipp, lyricist(s)
  • 1. Der Wanderer, Op. 4, No. 1, D. 489c - 05:40
  • Ernst Schulze, lyricist(s)
  • 2. Auf der Bruck, Op. 93, No. 2, D. 853a - 03:24
  • 3. Nacht und Traume, D. 827 - 03:53
  • William Shakespeare, lyricist(s)
  • 4. Gesang, Op. 106, No. 4, D. 891, "An Sylvia", "Who is Sylvia" - 02:35
  • Christian Friedrich Daniel Schubart, lyricist(s)
  • 5. Die Forelle, D. 550 - 01:59
  • Matthaus Kasimir von Collin, lyricist(s)
  • 6. Der Zwerg, Op. 22, No. 1, D. 771 - 05:36
  • Johann Wolfgang von Goethe, lyricist(s)
  • 7. Erlkonig, Op. 1, D. 328 - 03:50
  • 8. Heidenroslein, Op. 3, No. 3, D. 257 - 01:59
  • Friedrich von Schiller, lyricist(s)
  • 9. Dithyrambe, Op. 60, No. 2, D. 801 - 02:29
  • August von Platen-Hallermunde, lyricist(s)
  • 10. Die Liebe hat gelogen, Op. 23, No. 1, D. 751 - 03:23
  • Heinrich Heine, lyricist(s)
  • 11. Schwanengesang, D. 957: No. 13. Der Doppelganger - 04:47
  • Johann Ludwig Uhland, , lyricist(s)
  • 12. Fruhlingsglaube, Op. 20, No. 2, D. 686b - 03:13
  • Johann Baptist Mayrhofer, lyricist(s)
  • 13. Der Schiffer, Op. 21, No. 2, D. 536 - 01:49
  • Johann Wolfgang von Goethe, lyricist(s)
  • 14. Wandrers Nachtlied II, Op. 96, No. 3, D. 768 - 02:25
  • Georg Philipp Schmidt von Lubeck, lyricist(s)
  • 15. Der Wanderer, D. 489 - 01:14
  • Matthias Claudius, lyricist(s)
  • 16. Der Tod und das Madchen, Op. 7, No. 3, D. 531 - 03:19
  • Johann Wolfgang von Goethe, lyricist(s)
  • 17. Ganymed (Ganymede), Op. 19, No. 3 D. 544 - 04:49
  • Karl Gottlieb Lappe, lyricist(s)
  • 18. Im Abendrot, D. 799 - 04:26
  • Johann Wolfgang von Goethe, lyricist(s)
  • 19. Der Musensohn, Op. 92, No. 1, D. 764 - 01:54
  • Walter Scott, lyricist(s)
  • 20. Normans Gesang, D. 846 - 03:06
  • Johann Wolfgang von Goethe, lyricist(s)
  • 21. Erster Verlust, Op. 5, No. 4, D. 226 - 02:18
  • Franz von Schober, lyricist(s)
  • 22. An die Musik, D. 547 - 02:39
  • Łączny czas: 02:13:47
  • Gérard Souzay, baritone
  • Dalton Baldwin, piano

Produkt w tej chwili niedostępny.

Gérard Souzay (1918–2004) was born into a musical family – his father was a cellist, and his two brothers and his sister all singers. Souzay chose to study philosophy at university, and it was only after a meeting with Pierre Bernac in Paris in 1942 that he was persuaded to enter the Paris Conservatoire to study singing. He entered the concert circuit shortly after the end of the Second World War, and soon displayed the qualities that would make him one of the great voices of the 20th century – a love of words and a superb technique that combined a fine tone with a natural gift for expression. His obituaries in 2004 all commented on the qualities of his voice, and were full of epithets such as ‘warm’, ‘lyrical’, ‘supple’, ‘sensual’ and ‘vibrant’. He was keen not to be pigeonholed as a singer of French repertoire, and this 2 CD set vividly illustrates his mastery of Schubert’s lieder. The coupling of the composer’s freshest and most immediately appealing song-cycle, Die schöne Müllerin, with a generous selection of other, universally known lieder, is sure to have wide appeal beyond historical enthusiasts: the recordings are in excellent stereo. New booklet notes by Lieder authority Richard Stokes. ‘Souzay’s interpretation makes a less virile figure of the miller’s apprentice than either of the others and perhaps, because of this, makes more credible the girl’s jilting of him for the black-bearded hunter (I’m sure his beard was black!), but there is plenty of passion in his singing and a smooth treatment of the two-note quaver groups. The climactic ends of the verses “Dein ist mein Herz”, etc. ring out as well in “Ungeduld” as in “Mein!”, and at all times one is aware of a carefully thought-out presentation, an expressive treatment of the words and a sensitive response to the changing moods. The many strophic songs have plenty of nuance, and Souzay holds the interest through the five verses of “Des Baches Wiegenlied”.’ Gramophone, June 1965 "This is cultivated, beautiful singing, and Baldwin is a most sensitive accompanist. But the total effect is bland, and the great Schöne Müllerin cycle remains obstinately indoors." (BBC Music Magazine) "This is a wonderful performance of Die Schöne Müllerin, one that grows in impressiveness as it goes along. This is a very desirable reissue." (Michael Tanner - BBC Music Magazine, December 2010) Title notes: Die schöne Müllerin

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