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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
VITALI, JOACHIM, BRAHMS, PAGANINI, WIENIAWSKI, Hartmut Lindemann – Hommage a Primrose
| Wykonawcy / kompozytorzy | |
|---|---|
| VITALI (composer) | |
| JOACHIM (composer) | |
| BRAHMS (composer) | |
| PAGANINI (composer) | |
| WIENIAWSKI (composer) | |
| Hartmut Lindemann (violin) | |
- Tomaso Vitali: Chaconne (10'49)
- Joseph Joachim: Variations for viola and piano op. 10 (16'03) Posłuchaj fragmentu <<<
- Johannes Brahms: Sonata for piano and viola in F minor op. 120 No. 1 (23'00)
- Niccolo Paganini: 24th Caprice transcribed by William Primrose (5'13)
- Henryk Wieniawski: Alla Tarantella op. 18 No. 4 (2'00)
- Sergei Rachmaninoff: Vokalise (5'54)
- Hartmut Lindemann - violin
- VITALI
- JOACHIM
- BRAHMS
- PAGANINI
- WIENIAWSKI
69.00 PLN
CD:
Cat. nr: TACET045CDLabel : Tacet
"The violist Hartmut Lindemann, who emerged from obscurity five years ago and recorded with TACET, has set new musical and technical standards for his recordings. [...] He never fails to entrance the listener with the pieces he plays. His fantastic viola playing and his solidly based musicality almost take a back seat as standard requirements." (Stereoplay)
Stereoplay (01/01/1997):