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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
VIEUXTEMPS, Chloe Hanslip, Martyn Brabbins, Royal Flemish Philharmonic – Violin Concerto No. 1, 2 / Greeting to America
| Wykonawcy / kompozytorzy | |
|---|---|
| VIEUXTEMPS (composer) | |
| Chloe Hanslip (violin) | |
| Martyn Brabbins (conductor) | |
| Royal Flemish Philharmonic (orchestra) | |
- Henry Vieuxtemps (1820–1881)
- 1 Violin Concerto No 1 in E major Op 10 [40'41]
- 4 Violin Concerto No 2 in F sharp minor Op 19 [21'34]
- 7 Greeting to America Op 56 [12'50]
- Chloe Hanslip - violin
- Martyn Brabbins - conductor
- Royal Flemish Philharmonic - orchestra
- VIEUXTEMPS
59.00 PLN
CD:
Cat. nr: CDA67878Label : Hyperion
Hyperion’s record of the month for May heralds a new collaboration with the brilliant young British violinist Chloë Hanslip, the former child prodigy famously signed to Warner Classics at the age of just fourteen. Here, she lends her now-mature talents to the second release in Hyperion’s overview of Vieuxtemps’ Violin Concertos and Volume 12 of the burgeoning Romantic Violin Concerto series. Henry Vieuxtemps (1820–1881) was a French violin virtuoso who, after the death of Paganini, was widely considered to be the best violinist in Europe. Besides being a brilliant player, he was a remarkably fine composer, as demonstrated in these, his first two concertos. Alongside the memorable violin fireworks, Vieuxtemps here shows a well-argued musical sensibility that straddles both the Classical and Romantic eras as well as the ability to write gorgeous, almost operatic slow movements in the best bel canto tradition.
