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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
Sonny Stitt, Ron Carter, Herbie Hancock – Blows the Blues
| Wykonawcy / kompozytorzy | |
|---|---|
| Sonny Stitt (saxophone) | |
| Ron Carter (acoustic bass) | |
| Herbie Hancock (piano) | |
- Sonny Stitt - saxophone
- Ron Carter - acoustic bass
- Herbie Hancock - piano
269.00 PLN
2 LP-180G 33rpm:
Cat. nr: AP6149-45Label : Acoustic Sounds
...jakby ktoś zszywał smoking nićmi z babiego lata...
Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially "Hymnal Blues" and the slow, powerful "Morning After Blues." Uczestnicy nagrania: Sonny Stitt, alto saxophone, tenor saxophone Gene Bertoncini, guitar Ron Carter, bass Howard Collins, guitar Herbie Hancock, organ, piano John Pizzarelli, guitar Todd Sommer, vibraphone Grady Tate, drums
